Hi Everyone,
I am posting 2 topics on Unorthodox Chess Openings: Strange Rook Moves and Strange King Moves. Here are the Rook moves: 1. Ampel Variation, 2. Twyble Attack, 3. Reti's Opening, Penguin Variation:
yeah...what's the point-to confuse your opponent or make him overconfident?
Unorthodox way to enter the Grob or Polish?
I've played the Penguin variation of the Reti (just for fun) and often times get a position like this (if I'm lucky):
So basically your opponent has no concept of position and decides to open up the rook by (I am assuming) taking a knight with a bishop. FUn, maybe- if I want to lose a game.
Here is the variation of najdorf Graw mentioned. It's very aggresive and very fun to play.
The idea with the rook move here is to later play g4. The g4 square is defended by blacks knight and bishop, if black capture the g4 pawn now white can trade it's rook for blacks knight and bishop.
When I say fun, I refer to the use of creativity or originality in quick over-the-board games with friends. So (I am assuming) your usual pleasure, on the other hand, revolves around play of a more competitive nature. As such, your preference would obviously tend to openings that are recognized as constants over variable novelties. Differing viewpoints do have a tendency to make "fun" an objective concept.
WHile I see your point...The fact is there is MUCH room for creativity in any opening.
And yes I am competitive. But, mostly I play to have fun and improve :D. I have played a total of 1 tournament in my life. A few of the players I play with are trying to get me to play rated tournaments though. I spend enough time and money on billiards competition though.
I don't think it's a matter of hoping your opponent will blunder so much as hoping to take your opponent out of theory that they're familiar with early. Sometimes in blitz this can be good I think.
On ICC Nakamura (one of the top online blitz players in the world) plays some crazy looking Alekhine defenses in 3 0. I have seen other masters play some "dubious" openings regularly as part of their 3 0 repertoire.
Personally I find that I do best with openings that I'm familiar with - which are orthodox ones.
BTW 6.Rg1 in the Narjdorf is called the freak attack. Cool name and perfectly playable (often just becomes a normal looking sicilian after 0-0-0)
There are so many people here I'd love to play blitz with.
Steering the game out of book openings and known theory for your opponent and into a game that fits you is great both in blitz and normal otb games but playing BAD opening moves is not a good way to do it. What I was refering to in my earlier post is when people make openings wich are pure blunders and just waste tempo or even material then when they can't describe a single thought behind the moves they say "it's good in blitz". It's not good in any type of game if you play blunders, simple as that.
I would never think to do any of those openings, but after looking at them I kind of like the one that moves the queen rook (cause i like the short castle). I think i might try it in a game. It seems like it protects that b2 pawn that is always vunerable after the bishop comes out. It does expose the a2 pawn more, but i think youd get a quicker open b-file than an open a-file (maybe after a bishop for knight exchange). A nice interesting (although maybe completely worthless) move.
Did anyone ever did serious analysis on these attack openings? Did van Geet seriously play the Twyble attack?
Are these attacks unorthodox or just bad?
Nice article. I have an opening that provides for creative knight use and one that is strong for bishops. I read this as I am trying to find one that caters to more open and creative rook play. Thanks for the article.
This is my favorite variation of th grob i use
This does look like fun. But, in the Najdorf line, can't the rook on g1 become more of a liability than an asset.....
Van Get did not, Twyble did !
gambitlover's line is sheer balderdash! Black could have avoided that whole mess by simply playlng the obvious 5...d4, and if 6.Nd5, then 6...Be6.
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