What to play against The Sicilian Defence ( No diagram. For different blog) PART 1

What to play against The Sicilian Defence ( No diagram. For different blog) PART 1

VincentRoberts
VincentRoberts
Nov 23, 2016, 9:24 AM |
0

The Sicilian Defense is a chess opening that begins with the moves: 1. e4 c5. The Sicilian is the most popular and best-scoring response to White's first move 1.e4. "Indeed, most statistical surveys suggest that 1.d4 is the most successful first move for White, but only because 1...c5 scores so highly against 1.e4." First let me tell you what it does and stuff like that.You can also just look on Wikipedia rather than look on all of the parts on my blog https://en.wikipedia.org/wiki/Sicilian_Defence This is a link to my 2nd blog.https://www.chess.com/blog/VincentRoberts/what-to-play-against-the-sicilian-defence-no-diagram-for-different-blog-part-2 and part 3 https://www.chess.com/blog/VincentRoberts/what-to-play-against-the-sicilian-defence-no-diagram-for-different-blog-part-3 This is what Wikipedia says:

The Sicilian is the most popular and best-scoring response to White's first move 1.e4. 1.d4 is a statistically more successful opening for white due to the high success rate of the Sicilian defence against 1.e4.[1]New In Chess stated in its 2000 Yearbook that of the games in its database, White scored 56.1% in 296,200 games beginning 1.d4, but 54.1% in 349,855 games beginning 1.e4, mainly due to the Sicilian, which held White to a 52.3% score in 145,996 games.[2]

17% of all games between grandmasters, and 25% of the games in the Chess Informant database, begin with the Sicilian.[3] Almost one quarter of all games use the Sicilian Defence.[4]

Grandmaster John Nunn attributes the Sicilian Defence's popularity to "its combative nature; in many lines Black is playing not just for equality, but for the advantage. The drawback is that White often obtains an early initiative, so Black has to take care not to fall victim to a quick attack."[5] Grandmaster Jonathan Rowson considered why the Sicilian is the most successful response to 1.e4, even though 1...c5 develops no pieces, and the pawn on c5 controls only d4 and b4. Rowson writes:

To my mind there is quite a straightforward explanation. In order to profit from the initiative granted by the first move, White has to make use of his opportunity to do something before Black has an equal number of opportunities of his own. However, to do this, he has to make 'contact' with the black position. The first point of contact usually comes in the form of a pawn exchange, which leads to the opening of the position. … So the thought behind 1...c5 is this: ″OK, I'll let you open the position, and develop your pieces aggressively, but at a price – you have to give me one of your center pawns.″

— Jonathan Rowson, Chess for Zebras: Thinking Differently About Black and White[6]

The earliest recorded notes on the Sicilian Defence date back to the late 16th century by the Italian chess players Giulio Polerio and Gioachino Greco.[7][8]

 

 

General concepts


By advancing the c-pawn two squares, Black asserts control over the d4-square and begins the fight for the centre of the board. The move resembles 1…e5, the next most common response to 1.e4, in that respect. Unlike 1...e5, however, 1...c5 breaks the symmetry of the position, which strongly influences both players' future actions. White, having pushed a kingside pawn, tends to hold the initiative on that side of the board. Moreover, 1...c5 does little for Black's development, unlike moves such as 1...e5, 1...g6, or 1...Nc6, which either develop a minor piece or prepare to do so. In many variations of the Sicilian, Black makes a number of further pawn moves in the opening (for example, ...d6, ...e6, ...a6, and ...b5). Consequently, White often obtains a substantial lead in development and dangerous attacking chances.

Meanwhile, advancing a queenside pawn has given Black a spatial advantage there and provides a basis for future operations on that flank. Often, Black's c5-pawn is traded for White's d4-pawn in the early stages of the game, granting Black a central pawn majority. The pawn trade also opens the c-file for Black, who can place a rook or queen on that file to aid their queenside counterplay.

History


The Sicilian Defence was analysed by Giulio Polerio in his 1594 manuscript on chess,[9] though he did not use the term "Sicilian Defence".[10] It was later the subject of analyses by leading players of the day Alessandro Salvio (1604), Don Pietro Carrera (c. 1617), and Gioachino Greco (1623), and later Comte Carlo Francesco Cozio (c. 1740). The great French player and theoretician André Danican Philidor opined of the Sicilian in 1777, "This way of opening the game ... is absolutely defensive, and very far from being the best ... but it is a very good one to try the strength of an adversary with whose skill you are unacquainted."[11]

In 1813, the English master Jacob Henry Sarratt effectively standardised his English translation of the name of this opening as "the Sicilian Defence", referring to an old Italian manuscript that used the phrase, "il gioco siciliano" ("The Sicilian Game").[12] The Sicilian was fairly popular for much of the nineteenth century; Louis-Charles Mahé de La Bourdonnais, Adolf Anderssen, Howard Staunton, Louis Paulsen, and Carl Jaenisch all played it with some consistency. In the ninth edition of Modern Chess Openings, Walter Korn noted that the Sicilian "received three of its earliest practical tests, and a big boost in popularity, in the 1834 MacDonnell [sic]–La Bourdonnais match, 1843 Staunton–St. Amant match, and the 1851 London Tournament."[13] Staunton wrote of the Sicilian, "In the opinion of Jaenisch and the German 'Handbuch', with which I coincide, this is the best possible reply to 1.P-K4, [1.e4 in algebraic notation] 'as it renders the formation of a centre impracticable for White and prevents every attack.' "[14]

The opening fell out of favour in the later part of the nineteenth century, when some of the world's leading players rejected it.[A]Paul Morphy, the world's best player in the late 1850s, decried "that pernicious fondness for the Sicilian Defense ... extending from about 1843 to some time after 1851".[15]Wilhelm Steinitz, the first World Champion, also disliked the Sicilian and rejected it in favour of 1...e5.[B][16] The death of the opening's two greatest proponents, Staunton and Anderssen, in 1874 and 1879 respectively, also contributed to its decline. It has been said that "these losses almost dealt a knockout blow to the Sicilian because it took a long time to find such important figures to carry the Sicilian's standard."[17]George H. D. Gossip, in The Chess Player's Manual, first published in 1874, wrote, "Of late years ... discoveries have been made which have the effect of considerably strengthening White's attack, and the 'Sicilian' is now considered by most modern authorities to be a comparatively weak mode of play."[18]Freeborough and Ranken, in their treatise Chess Openings: Ancient and Modern (1889, 1896), wrote that the Sicilian "had at one time the reputation of being the best reply to 1.P-K4, but this has not been confirmed by popular practice. Several eminent players have, however, held to the opinion that it is quite trustworthy."[19][20]

The Sicilian continued to be shunned by most leading players at the start of the twentieth century, as 1...e5 held centre stage. Capablanca, World Champion from 1921 to 1927, famously denounced it as an opening where "Black's game is full of holes".[21] Similarly, James Mason wrote, "Fairly tried and found wanting, the Sicilian has now scarcely any standing as a first-class defence. ... [It] is too defensive. There are too many holes created in the Pawn line. Command of the field, especially in the centre, is too readily given over to the invading force."[22]Siegbert Tarrasch wrote that 1...c5 "is certainly not strictly correct, for it does nothing toward development and merely attempts to render difficult the building up of a centre by the first player. ... [T]he Sicilian Defence is excellent for a strong player who is prepared to take risks to force a win against an inferior opponent. Against best play, however, it is bound to fail."[23] The Sicilian was not seen even once in the 75 games played at the great St. Petersburg 1914 tournament.[24]

Nonetheless, some leading players, such as Emanuel Lasker (World Champion from 1894 to 1921), Frank Marshall, Savielly Tartakower, and Aron Nimzowitsch, and later Max Euwe (World Champion from 1935 to 1937) played the Sicilian.[25] Even Capablanca[26][27] and Tarrasch,[28] despite their critical comments, occasionally played the opening. It was played six times (out of 110 games) at New York 1924.[29] The following year, the authors of Modern Chess Openings (4th edition) wrote, "The Sicilian has claims to be considered as the best of the irregular defences to 1.P-K4 at Black's disposal, and has been practised with satisfactory results by the leading players of the day."[C] In this period Black's approach was usually slow and positional, and the all-out attacks by White that became common after World War II had not yet been developed.[30]

The fortunes of the Sicilian were further revived in the 1940s and 1950s by players such as Isaac Boleslavsky, Alexander Kotov, and Miguel Najdorf. Reuben Fine, one of the world's leading players during this time period, wrote of the Sicilian in 1948, "Black gives up control of the centre, neglects his development, and often submits to horribly cramped positions. How can it be good? Yet, the brilliant wins by White are matched by equally brilliant wins by Black; time and again the Black structure has been able to take everything and come back for more."[D] Later, Bent Larsen, Ljubomir Ljubojević, Lev Polugaevsky, Leonid Stein, Mark Taimanov, and Mikhail Tal all made extensive contributions to the theory and practice of the defence. Through the efforts of world champions Bobby Fischer and Garry Kasparov, the Sicilian Defence became recognised as the defence that offered Black the most winning chances against 1.e4. Both players favoured sharp, aggressive play and employed the Sicilian almost exclusively throughout their careers, burnishing the defence's present reputation. Today, most leading grandmasters include the Sicilian in their opening repertoire. In 1990, the authors of Modern Chess Openings(13th edition) noted that "in the twentieth century the Sicilian has become the most played and most analysed opening at both the club and master levels."[31] In 1965, in the tenth edition of that book, grandmaster Larry Evans observed that, "The Sicilian is Black's most dynamic, asymmetrical reply to 1.P-K4. It produces the psychological and tension factors which denote the best in modern play and gives notice of a fierce fight on the very first move."[32]

Open Sicilian: 2.Nf3 and 3.d4


Over 75% of games beginning with 1.e4 c5 continue with 2.Nf3, when there are three main options for Black: 2...d6, 2...Nc6, and 2...e6. Lines where White then plays 3.d4 are collectively known as the Open Sicilian, and result in extremely complex positions. White has a lead in development and extra kingside space, which White can use to begin a kingside attack. This is counterbalanced by Black's central pawn majority, created by the trade of White's d-pawn for Black's c-pawn, and the open c-file, which Black uses to generate queenside counterplay.

2...d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3


Position after 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3

Black's most common move after 2.Nf3 is 2...d6. This prepares ...Nf6 to attack the e-pawn without letting White push it to e5. The game usually continues 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3. Sometimes played is 3...Nf6 4.Nc3 cxd4 5.Nxd4 giving the same result. Black can then choose between four major variations: in order of decreasing popularity, these are the Najdorf (5...a6), Dragon (5...g6), Classical(5...Nc6), and Scheveningen (5...e6). The Venice Attack (5...e5 6.Bb5+) and Kupreichik Variation (5...Bd7) are rarely played. 5...e5 is often considered something of an error on Black's part and 5...Bd7 can transpose to one of the more common variations, such as the Classical or Dragon, but there are also a number of independent lines.

There are a few ways for either side to deviate from the moves given above. After 3...cxd4, White occasionally plays 4.Qxd4, the Chekhover Variation, intending to meet 4...Nc6 with 5.Bb5 Bd7 6.Bxc6, when White hopes that their lead in development compensates for Black's bishop pair. Black can avoid this line by playing 3...Nf6, when 4.Nc3 cxd4 5.Nxd4 returns to main lines. However, White has the option of 4.dxc5!?, when Black can play either 4...Nxe4 or 4...Qa5+. Another unusual sideline is 3...cxd4 4.Nxd4 Nf6 5.f3!?, the Prins Variation, which tries to maintain the option of c4 with a Maróczy Bind formation.

Najdorf Variation: 5...a6 


Najdorf Variation: 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6

The Najdorf Variation is Black's most popular system in the Sicilian Defence. Najdorf's intention with 5...a6 was to prepare ...e5 on the next move to gain space in the centre; the immediate 5...e5?! however is met by 6.Bb5+!, when Black must either play 6...Bd7 or 6...Nbd7. The former allows White to exchange off Black's light-squared bishop, after which the d5-square becomes very weak; but the latter allows 7.Nf5, when Black can only save the d-pawn by playing the awkward 7...a6 8.Bxd7+ Qxd7. In both cases, White's game is preferable.

Thus, by playing 5...a6, Black deprives White of the check on b5, so that ...e5 might be possible next move. In general, 5...a6 also prevents White's knights from using the b5-square, and helps Black create queenside play by preparing the ...b5 pawn push. This plan of 5...a6 followed by ...e5 represents Black's traditional approach in the Najdorf Variation. Later, Garry Kasparov also adopted the 5...a6 move order, but with the idea of playing ...e6 rather than ...e5. Kasparov's point is that the immediate 5...e6 (the Scheveningen Variation, discussed below) allows 6.g4, which is White's most dangerous line against the Scheveningen. By playing 5...a6 first, Black temporarily prevents White's g4 thrust and waits to see what White plays instead. Often, play will eventually transpose to the Scheveningen Variation.

Currently, White's most popular weapon against the Najdorf is 6.Be3. This is called the English Attack, because it was popularised by English grandmasters Murray Chandler, John Nunn and Nigel Short in the 1980s. White's idea is to play f3, Qd2, g4 and 0-0-0 in some order. Black can respond with 6...e6, 6...e5 or 6...Ng4; to prevent ...Ng4, White sometimes starts with 6.f3 instead, but this allows 6...Qb6! A related attacking idea for White is 6.Be3 e6 7.g4, known as the Hungarian Attack or Perenyi Attack.

Formerly, 6.Bg5 e6 7.f4 was the main line of the Najdorf, when White threatens to attack the pinned knight with 8.e5. Black can simply break the pin with 7...Be7, when White usually plays 8.Qf3 and 9.0-0-0. Some of Black's alternatives are 7...Qb6, the Poisoned Pawn Variation popularized by Fischer, and 7...b5, the Polugaevsky Variation, which has the tactical point 8.e5 dxe5 9.fxe5 Qc7! 10.exf6 Qe5+ winning the bishop in return for the knight.

White has other choices on the sixth move. 6.Be2 prepares to castle kingside and is a quieter alternative compared to 6.Be3 and 6.Bg5. Efim Geller was an early proponent of this move, after which Black can stay in "pure" Najdorf territory with 6...e5 or transpose to the Scheveningen with 6...e6. Other possibilities for White include 6.f4, 6.Bc4 (the Fischer–Sozin Attack), 6.g3, and 6.h3, (the Adams Attack, named after Weaver Adams), which was used several times by Bobby Fischer.

Dragon Variation: 5...g6 


Dragon Variation: 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6

In the Dragon Variation, Black fianchettoes a Bishop on the h8–a1 diagonal. It was named by Fyodor Dus-Chotimirsky in 1901, who noticed a resemblance between Black's kingside pawn structure (pawns on d6, e7, f7, g6 and h7) and the stars of the Draco constellation.[33]White's most dangerous try against the Dragon is the Yugoslav Attack, characterised by 6.Be3 Bg7 7.f3 0-0 8.Qd2 Nc6, when both 9.0-0-0 and 9.Bc4 may be played. This variation leads to extremely sharp play and is ferociously complicated, since the players castle on opposite wings and the game becomes a race between White's kingside attack and Black's queenside counterattack. White's main alternatives to the Yugoslav Attack are 6.Be2, the Classical Variation, and 6.f4, the Levenfish Attack.

 

Classical Variation: 5...Nc6 

Classical Variation: 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6

This variation can arise from two different move orders: 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6, or 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 d6. Black simply brings their knight to its most natural square, and defers, for the moment, the development of their king's bishop.

White's most common reply is 6.Bg5, the Richter–Rauzer Attack (ECO codes B60 et seq). The move 6.Bg5 was Kurt Richter's invention, threatening to double Black's pawns after Bxf6 and forestalling the Dragon by rendering 6...g6 unplayable. After 6...e6, Vsevolod Rauzerintroduced the modern plan of Qd2 and 0-0-0 in the 1930s. White's pressure on the d6-pawn often compels Black to respond to Bxf6 with ...gxf6, rather than recapturing with a piece (e.g. the queen on d8) that also has to defend the d-pawn. This weakens their kingside pawn structure, in return for which Black gains the two bishops, plus a central pawn majority, though these assets are difficult to exploit.

Another variation is 6.Bc4, called "Sozin" (ECO code B57). It brings the bishop to an aggressive square. Black usually plays 6...e6 to limit the range of White's bishop, but White can eventually put pressure on the e6-pawn by pushing their f-pawn to f5. White can either castlekingside with 7.Bb3 a6 8.0-0 (the Fischer–Sozin Attack, named after Bobby Fischer and Russian master Veniamin Sozin, who originated it in the 1930s), or queenside with 7.Be3 Be7 (or 7...a6) 8.Qe2 and 9.0-0-0 (the Velimirović Attack). Instead of 6...e6, Black can also try Benko's move 6...Qb6, which forces White to make a decision over the d4-knight. This typically leads into more positional lines than the razor-sharp, highly theoretical Sozin and Velimirovic variations.

6.Be2 is the "classical" line (ECO code B58). Black can choose among 6...e5; 6...e6, transposing to the Scheveningen Variation; and 6...g6, transposing to the Classical Variation of the Dragon. With move ...e5, 7.Nf3 usually continues ...h6 8.O-O Be7 9.Re1; 7.Nb3 is the dynamic and not very good Boleslavsky Variation (ECO code B59). Other moves include 6.Be3, 6.f3, and 6.g3.

Scheveningen Variation: 5...e6 


Scheveningen Variation: 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e6

In the Scheveningen Variation, Black is content with a "small centre" (pawns on d6 and e6, rather than e5) and prepares to castle kingside. In view of this, Paul Keres introduced 6.g4, the Keres Attack, in 1943. White intends to drive away the black knight with g5. If Black prevents this with 6...h6, which is the most common answer, White has gained kingside space and discouraged Black from castling in that area, and may later play Bg2. If the complications after 6.g4 are not to White's taste, a major alternative is 6.Be2, a typical line being 6...a6 (this position can be reached from the Najdorf via 5...a6 6.Be2 e6) 7.0-0 Be7 8.f4 0-0. 6.Be3 and 6.f4 are also common.

While theory indicates that Black can hold the balance in the Keres Attack, players today often prefer to avoid it by playing 5...a6 first, an idea popularized by Kasparov. However, if White is determined to play the g4 thrust, they can prepare it by responding to 5...a6 with 6.h3 (as Fischer sometimes played) or 6.Rg1.

 

2...Nc6 3.d4 cxd4 4.Nxd4


Position after 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4

2...Nc6 is a natural developing move, and also prepares ...Nf6 (like 2...d6, Black stops White from replying e5). After 3.d4 cxd4 4.Nxd4, Black's most common move is 4...Nf6. Other important moves are 4...e6 (transposing to the Taimanov Variation), 4...g6 (the Accelerated Dragon) and 4...e5 (the Kalashnikov Variation). Less common choices include 4...Qc7, which may later transpose to the Taimanov Variation, 4...Qb6, the Grivas Variation, and 4...d6.

After 4...Nf6, White usually replies 5.Nc3. Black can play 5...d6, transposing to the Classical Variation; 5...e5, the Sveshnikov Variation; or 5...e6, transposing to the Four Knights Variation.

Sveshnikov Variation: 4...Nf6 5.Nc3 e5 


Sveshnikov Variation: 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e5

The Sveshnikov Variation was pioneered by Evgeny Sveshnikov and Gennadi Timoshchenko in the 1970s. Before their efforts, the variation was called the Lasker–Pelikan Variation. Emanuel Lasker played it once in his world championship match against Carl Schlechter, and Jorge Pelikan played it a few times in the 1950s, but Sveshnikov's treatment of the variation was the key to its revitalization. The move 5...e5 seems anti-positional as it leaves black with a backwards d-pawn and a weakness on d5. Also, black would have to accept the doubled f-pawns in the main line of the opening. The opening was popularised when Sveshnikov saw its dynamic potential for Black in the 1970s and 80s. Today, it is extremely popular among grandmasters and amateurs alike. Though some lines still give Black trouble, it has been established as a first-rate defence. The main line after 5...e5 runs as follows:

6. Ndb5

The theoretically critical move, threatening Nd6+. All other moves are considered to allow Black easy equality. 6.Nxc6 is usually met by 6...bxc6, when Black's extra pawn in the centre gives good play; alternatively, even 6...dxc6 7.Qxd8+ Kxd8 is sufficient for equality.[34]6.Nb3 and 6.Nf3 can be well met by 6...Bb4, threatening to win White's pawn on e4.[35] 6.Nf5 allows 6...d5! 7.exd5 Bxf5 8.dxc6 bxc6 9.Qf3 Qd7.[36] 6.Nde2 can be met by either 6...Bc5 or 6...Bb4.[37]

6...d6

Black does not allow 7.Nd6+ Bxd6 8.Qxd6, when White's pair of bishops give them the advantage.

7. Bg5

White gets ready to eliminate the knight on f6, further weakening Black's control over the d5-square. A less common alternative is 7.Nd5 Nxd5 8.exd5 Nb8 (or 8...Ne7), when White will try to exploit their queenside pawn majority, while Black will seek counterplay on the kingside.

7...a6

Black forces White's knight back to a3.

8. Na3

The immediate 8.Bxf6 forces 8...gxf6, when after 9.Na3, Black can transpose into the main line with 9...b5 or deviate with 9...f5!?

8...b5!

8...b5 was Sveshnikov's innovation, controlling c4 and threatening ...b4 forking White's knights. Previously, Black played 8...Be6 (the Bird Variation), which allowed the a3-knight to return to life with 9.Nc4. The entire variation up to 8...b5 is referred to as the Chelyabinsk Variation. It can also be reached from the alternate move order 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6 6.Ndb5 d6 7.Bf4 e5 8.Bg5 a6 9.Na3 b5, which is one move longer. (That alternative move order gives White other alternatives, including 6.Nxc6 bxc6 7.e5 Nd5 8.Ne4, intending c4, and the gambit 6.Be2 Bb4 7.0-0!?, allowing Bxc3 8.bxc3 Nxe4.) The move numbers in the following discussion are based on the move order given in bold.
 
Chelyabinsk Variation: 6.Ndb5 d6 7.Bg5 a6 8.Na3 b5

The Sveshnikov Variation has become very popular in master level chess. Black's ...e5 push seems anti-positional: it has made the d6-pawn backward and the d5-square weak. However, in return, Black gets a foothold in the centre and gains time on White's knight, which has been driven to the edge of the board on a3. Top players who have used this variation include Vladimir Kramnik, Veselin Topalov, Teimour Radjabov, Boris Gelfand, Michael Adams and Alexander Khalifman, among many others.

In the diagrammed position after 8...b5, White usually parries the threat of ...b4 by playing 9.Bxf6 or 9.Nd5. After 9.Bxf6, 9...Qxf6?! 10.Nd5 Qd8 fails to 11.c4 b4 (11...bxc4 12.Nxc4 is good for White, who threatens 13.Qa4) 12.Qa4 Bd7 13.Nb5! axb5 14.Qxa8 Qxa8 15.Nc7+ Kd8 16.Nxa8 and the knight escapes via b6. Thus 9...gxf6 is forced, and White continues 10.Nd5. White's powerful knight on d5 and Black's shattered kingside pawn structure are compensated by Black's bishop pair and White's offside knight on a3. Also, Black has the plan of playing 10...f5, followed by ...fxe4 and ...f5 with the second f-pawn, which would give them good control of the centre. An alternative plan is to play 10...Bg7 followed by ...Ne7 to immediately trade off White's powerful knight; this line is known as the Novosibirsk Variation.

Instead of 9.Bxf6, White can also play 9.Nd5, which usually leads to quieter play. White decides not to double Black's f-pawns and the game often continues 9...Be7 10.Bxf6 Bxf6 11.c3. This allows White to maintain their knight on d5 by trading off Black's knight on f6, and prepares to bring the knight on a3 back into play with the manoeuvre Na3–c2–e3. Another line is 10.Nxe7 Nxe7! (fighting for control of d5 and not fearing the doubled pawns) 11.Bxf6 gxf6. However, a recent development in the Sveshnikov has been 11.c4 (instead of c3), which often leads to positions where white is pressing for the win at no risk. A quick draw is possible after 9.Nd5 Qa5+!? 10.Bd2 (in order to prevent 10...Nxe4) 10...Qd8 11.Bg5 Qa5+ etc. In order to avoid this, White can play 11.Nxf6+ or 11.c4.

Accelerated Dragon: 4...g6


 

Accelerated Dragon: 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 g6

Like the standard Dragon Variation, Black develops the bishop to g7 in the Accelerated Dragon. The difference is that Black avoids playing ...d7–d6, so that they can later play ...d7–d5 in one move if possible. For example, if White tries to play in the style of the Yugoslav Attack with 5.Nc3 Bg7 6.Be3 Nf6 7.f3 0-0 8.Qd2, 8...d5! equalises immediately. When White does play 5.Nc3, it is usually with the idea of continuing 5...Bg7 6.Be3 Nf6 7.Bc4 0-0 8.Bb3 (forestalling any tricks involving ...Nxe4 and ...d5), followed by kingside castling.

The critical test of Black's move order is 5.c4, the Maróczy Bind. White hopes to cramp Black's position by impeding the ...d7–d5 and ...b7–b5 pawn thrusts. Generally, this line is less tactical than many of the other Sicilian variations, and play involves much strategic maneuvering on both sides. After 5.c4, the main line runs 5...Bg7 6.Be3 Nf6 7.Nc3 and now 7...0-0 or 7...Ng4 is most frequently played.

 

Kalashnikov Variation: 4...e5 5. Nb5 d6 


Kalashnikov Variation: 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 e5 5.Nb5 d6

The Kalashnikov Variation (ECO code B32)[38] is a close relative of the Sveshnikov Variation, and is sometimes known as the Neo-Sveshnikov. The move 4...e5 has had a long history; Louis-Charles Mahé de La Bourdonnais used it in his matches against Alexander McDonnell in 1834, and it was also popular for a short time in the 1940s. These earlier games focused on the Löwenthal Variation (similar to the Kalashnikov but the reply to 5.Nb5 is 5...a6) with 4...e5 5.Nb5 a6 6.Nd6+ Bxd6 7.Qxd6 Qf6, where Black gives up the two bishops to achieve a lead in development. However, the move fell out of use once it was determined that White kept the advantage in these lines.

Only in the late 1980s did Black players revive 4...e5 with the intention of meeting 5.Nb5 with 5...d6: this is the Kalashnikov Variation. The ideas in this line are similar to those in the Sveshnikov – Black accepts a backward pawn on d6 and weakens the d5-square but gains time by chasing the knight. The difference between the two variations is that Black has not developed their knight to f6 and White has not brought their knight out to c3, so both players have extra options. Black may forego ...Nf6 in favour of ...Ne7, e.g. after 6.N1c3 a6 7.Na3 b5 8.Nd5 Nge7, which avoids White's plan of Bg5 and Bxf6 to inflict doubled f-pawns on Black. Or, Black can delay bringing out the knight in favour of playing ...Be7–g5 or a quick ...f5. On the other hand, White has the option of 6.c4, which solidifies their grip on d5 and clamps down on ...b5, but leaves the d4-square slightly weak.

2...e6 3.d4 cxd4 4.Nxd4


Black's move 2...e6 gives priority to developing the dark-squared bishop. After 3.d4 cxd4 4.Nxd4, Black has three main moves: 4...Nc6 (the Taimanov Variation), 4...a6 (the Kan Variation) and 4...Nf6. After 4...Nf6 5.Nc3 (not 5.e5? Qa5+), Black can transpose to the Scheveningen Variation with 5...d6, play 5...Nc6, the Four Knights Variation or 5...Bb4, the Pin Variation.

Taimanov Variation: 4...Nc6 


Named after Mark Taimanov, the Taimanov Variation can be reached through 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nc6 or 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 e6. Black develops the knight to a natural square and keeps his options open regarding the placement of his other pieces. One of the ideas of this system is to develop the king's bishop to b4 or c5. White can prevent this by 5.Nb5 d6, when 6.c4 leads to a version of the Maróczy Bind favoured by Karpov. The resulting position after 6.c4 Nf6 7.N1c3 a6 8.Na3 b6 is a type of Hedgehog.

The Kasparov Gambit 8...d5 was played twice in the World Chess Championship 1985, but virtually disappeared from master praxis after the game Karpov–van der Wiel, Brussels (SWIFT) 1986.

5.Nc3 is more common nowadays than 5.Nb5, when 5...d6 normally transposes to the Scheveningen Variation and 5...Nf6 is the Four Knights Variation (see below). Independent moves for Black are 5...Qc7 and 5...a6, with the former being the more usual move order seen in recent years, as after 5...a6, the continuation 6.Nxc6 bxc6 7.Bd3, despite its apparent simplicity, has given Black difficulties in reaching equality. Taimanov's idea was to play 5...a6 (preventing Nb5) followed by ...Nge7 and ...Nxd4.

 

Kan (Paulsen) Variation: 4...a6 


Kan Variation: 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 a6

Named after Ilya Kan. By playing 4...a6, Black prevents Nb5 and prepares an eventual ...b5 advance.

White's second most popular reply is 5.Nc3, when Black's development of the kingside knight often takes focus, since playing ...Nf6 can be met with e5 which both creates a Black weakness on the d6-square and causes the Black knight a disadvantageous move. So Black normally plays a move to control the e5-square and prevent the pawn from advancing. The main Kan move is 5...Qc7, although 5...Nc6 transposing into a Taimanov or 5...d6 transposing into a Scheveningen can occur. An alternative idea is the immediate 5...b5 to create pressure from the queenside with the idea of playing ...b4 attacking the c3-knight, or Bb7 to build pressure along the long white-squared diagonal. White generally answers with 6. Bd3, supporting the e4 pawn.

The most popular fifth move for White is 5.Bd3, when after 5...Bc5 6.Nb3 Black can either retreat 6...Be7 where 7.Qg4 makes Black's kingside problematic, or 6...Ba7. Also possible is 5.c4 to create a Maróczy bind setup.

 

Four Knights Variation: 4...Nf6 5.Nc3 Nc6 


Four Knights Variation: 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6

The Four Knights Variation is mainly used as a way of getting into the main line Sveshnikov Variation, reached after 6.Ndb5 d6 7.Bf4 e5 8.Bg5 a6 9.Na3 b5. The point of this move order is to avoid lines such as the Rossolimo Variation (1.e4 c5 2.Nf3 Nc6 3.Bb5), or 1.e4 c5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 e5 6.Ndb5 d6 7.Nd5, which are possible in the standard Sveshnikov move order. On the other hand, in the Four Knights move order, White acquires the extra option of 6.Nxc6 bxc6 7.e5 Nd5 8.Ne4, so White is not obliged to enter the Sveshnikov.

If Black is not aiming for the Sveshnikov, the main alternative is to play 6...Bb4 in reply to 6.Ndb5. Then 7.a3 Bxc3+ 8.Nxc3 d5 9.exd5 exd5 leads to a position where Black has given up the two bishops but has active pieces and the possibility of playing ...d5–d4.

 

Pin Variation: 4...Nf6 5.Nc3 Bb4 


Pin Variation: 1.e4 c5 2.Nf3 e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Bb4

The Pin Variation (also called the Sicilian Counter-Attack) is considered theoretically suspect, but if White is unprepared the tactics can be difficult to calculate at the board. After 6.e5! (6.Bd3 is less challenging) Black has

  • (a) 6...Ne4?! 7.Qg4! Nxc3 8.Qxg7 Rf8 9.a3 Nb5+ 10.axb4 Nxd4 11.Bg5 Qb6 12.Bh6 Qxb4+ 13.c3 Nf5 14.cxb4 Nxg7 15.Bxg7 with a clear advantage to White, Szabo-Mikenas, Kemeri 1939
  • (b) 6...Nd5 7.Bd2 Nxc3 8.bxc3 Be7 9.Qg4 and Black must either weaken his king's side with 9...g6 or give up the exchange after 9...0-0 10.Bh6 g6. White need not take the exchange, and attacking with 11.h4 may in fact be stronger.

Also intriguing is 6. Nb5!, with 6...Nxe4?! met with 7. Qg4, with strong compensation for the pawn.

 

2.Nf3 without 3.d4: White's third move alternatives


White can play 2.Nf3 without intending to follow up with 3.d4. The systems given below are usually classified along with White's second move alternatives as Anti-Sicilians.

2...d6 without 3.d4

Canal-Sokolsky Attack: 3.Bb5+ 

Moscow Variation or the Canal–Sokolsky Attack: 1.e4 c5 2.Nf3 d6 3.Bb5+

After 1.e4 c5 2.Nf3 d6, White's most important alternative to 3.d4 is 3.Bb5+, known as the Moscow Variation or the CanalSokolskyAttack. Grandmasters sometimes choose this variation when they wish to avoid theory; for instance, it was played by