I follow Dzindzi's repertoire with ...Nc6.
Note that this choice is motivated by reaching positions similar to the Bogo Indian, the partner of the Nimzo in this repertoire.
Nimzo-indian classical variation responses
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The three main responses by black to the classical variation in the nimzo-indian are shown above. Although I am wondering why are there three. Is one more aggresive or positional than the other two? What styles does each of the three move cater to?