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1/9/2013 - Mate in 2

  • #121

    agree with Briansladovich......nice one

  • #122

    1....

  • #123

    Cool

  • #124

    Sealed

  • #125

    cute little mate

  • #126

    good

  • #127

    easy but quite pretty with a chekmate using the king

  • #128

  • #129

    why white always

  • #130

    EasySmileCoolLaughing!!!!!!!!!!!!!!!!!!!!!!!!

  • #131

    too easy

  • #132

    Abo_tamem_2012 nice puzzle!!!

  • #133

    Rook Sacrifice plus Discovered Checkmate!  Thanks for the lesson!

  • #134

    Super

  • #135

    Interesting.

  • #136

    easy

  • #137
    briansladovich wrote:
    dufferps wrote:
    briansladovich wrote:

     My first instinct was to move the pawn to g7 but, this wouldn't be mate in two.

     

    That was the first thing I looked at also, but it was pretty obvious that the black queen could check on the next move and check repeatedly from then on.  So (this being a puzzle),  I immediately focused on the only check move available to white at that point.  It was a sacrifice (not to be rejected off-hand when doing a puzzle), and the power of the next move was immediately evident.  Black is forced to capture the rook, and put his king in a corner, and an easy move by the white king discovers a check and blocks the black king's only escape square.  Sweet!

     Nice summary, dufferps. The power of hindsight ! Fools rush in and all that.

    It sounds like dufferps' suggestion here is that black would take a draw after g7; However, g7 is actually losing and not drawing. After g7, Qb6+. The king has to protect the rook so Kg5. Then black plays Qxh6, sacrificing the queen and the king takes back on h6. If you look at that position, you'll see that white can not stop both of blacks pawns on the e and a file. Black will push both of those pawns and the white bishop can only stop one of them. Black will queen one of those pawns and white loses.

  • #138

    g7 would be very ugly. A kind of self blockade, punished not by perpetual but by ..Qxh6 and an embarrassing loss.

  • #139

    LE COMMENT

  • #140

    First

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