Learning Chess Patterns Is Easy
I recently noticed an article that tried to clarify what a pattern is. I found it quite agonizing since the writer didn’t understand patterns but was trying hard to isolate exactly what it was (a noble try but quite futile). Unfortunately, he was taking something that wasn’t complicated and making it into something mysterious (or hard, or profound, or even something that doesn’t really exist).
None of these things are true. It really is as easy as easy can be.
A pattern can be a basic tactic, or a piece or pawn setup that occurs quite often. It’s that simple. The idea of learning patterns is that instead of looking at a certain pawn structure and asking yourself, “What in the world am I supposed to do here,” a mere glance will tell you what the usual ideas and plans are.
In other words, patterns stop you from reinventing the wheel every time you sit at a chessboard.
BASIC TACTIC PATTERNS
Smothered mate and back-rank mate:
Back-rank mate is another tactical pattern, and it really is seen all the time!
There are also many attacking patterns. One very important pattern is the “pawn on g6 so the queen can mate by Qh7 setup.”
Okay, so far we have glances at basic tactical patterns and attacking patterns. As you saw, those could be extremely simple or quite complex. The point is that if you don’t know the pattern in its simplest form, you’ll be unable to understand more interesting and exciting things.
And this brings up the most important thing about patterns: you can’t learn them without seeing them in every form over and over again. Like basketball (or any other sport), where you have to practice a particular shot over and over, or a language, which also needs constant repetition, you need to see as many patterns as you can as many times as you can.
Now let’s look at another pattern, this time based on pawn structure. Most experienced amateurs have a good grasp of basic tactical and attacking patterns, but pawn structure, which is overwhelmingly important, doesn’t seem to be on their “menu.”
Here’s a well-known pawn formation. Of course, this structure is usually filled with pieces from both sides. This pawn structure is a pattern. And those that have studied it know all the various pawn and piece configurations that this starting-off point offers.
For me, when I see this (or a very similar) structure I instantly know the following setups and plans: White has more central space, but the battle will usually have White trying to break through on the kingside (usually with f2-f4-f5) while Black, who has hungry eyes staring at White’s weak pawn on c4, will seek play in that sector. In some cases White might try and crack the center (with a well-timed e4-e5) and get his two bishops into the game (White has the two bishops since it’s clear that the doubled c-pawn occurred after Black played ...Bf8-b4xc3).
Black knows that his b8-knight will not go to d7 since it has nothing to do with the c4 weakness. Instead that knight will migrate (via ...Nb8-c6-a5) to a5 where it puts pressure on c4. Also, Black’s bishop will end up on a6 and, in some cases, Black’s queen might even get to a4—all those pieces are taking aim at c4.
Another move, which many might view as an oddity, is Black moving his knight on f6 to e8. Why would Black do that? The reason is that it frees the f7-pawn and when White is ready to push his f-pawn to f5 Black stops it in its tracks with ...f7-f5.
Once again, the key to mastering patterns is repetition! Isolate a pattern for study, then look for dozens and dozens (or in many cases, hundreds and hundreds) of examples of that pattern and in time you’ll discover that a pattern that was once an enigma is now a piece of cake.