Riding The Winds Of Fashion, Part 3
Warning! This is a fairly advanced article. I try to write for players of all ratings, so sometimes I explore basic stuff, and other times I bow to the 1800-and-above crowd. Though the opening in question is too advanced for beginners, I hope that some of the positions will prove of interest to everyone.
When you take up 1.d4 and decide to enter main lines (and avoid sound but non-critical systems like 1.d4 Nf6 2.Nf3 followed by Bg5 or Bf4), one of the first questions you have to ask yourself is “what do I do after 1.d4 Nf6 2.c4 e6?”
That’s a huge question, since if you play the “righteous” 3.Nc3 then you have to be well prepared for 3...Bb4. And if you play 3.g3, then 3...d5 takes you into a Catalan, while 3…c5 4.d5 leads to a fianchetto Benoni (not the most critical way to play against the Benoni).
Of course, 3.g3 can also be met by 3...Bb4+. The most common reply to 2…e6 is the somewhat cowardly 3.Nf3. (OK, it’s a hugely popular main line, but it is saying, “I’m terrified of the Nimzo-Indian!”) After 3.Nf3, Black can surprise White with the Queen’s Gambit via 3...d5, or (more often) he will toss out the Bogo-Indian (3...Bb4+), or the Queen’s Indian (3...b6).
When I was playing, I experimented with everything. I had some nice wins with the Catalan (3.g3), and I did fine with the Queen’s Indian, but part of me always yearned for the Nimzo-Indian.
Yes, I played it with Black, but why not go for the gusto and play both sides of the Nimzo? In 1980, I bit the bullet and took up the White side of the Nimzo-Indian. In general, I was successful with 4.e3 and won some nice games:
Though this was a nice result, I decided that I should look for something a bit less mainstream. It was at this point that 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 came to my attention. However, there were a couple problems that needed to be solved. First off, I had to decide if I like the complicated position that resulted after 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 d5 5.a3 Bxc3+ 6.bxc3 c5 7.cxd5 Nxd5 8.dxc5.
The second problem was the following move sequence: 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 c5 5.d5 Bxc3+ 6.bxc3 Nh5 7.g3 f5 8.e4 f4, which theory at that time thought was highly promising for Black.
After looking closely at 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 d5 5.a3 Bxc3+ 6.bxc3 c5 7.cxd5 Nxd5 8.dxc5, I decided that it was, at the very least, highly interesting and offered very good chances to outplay one’s opponent. But 8...f4 was quite another matter.
It was here that the recently deceased U.S. Champion John Grefe came to the rescue. We were good friends at that time and often analyzed together, so I showed him the position after 8...f4 and, after a couple days' work, we cracked it! (Remember that chess engines didn’t exist yet.)
The Creation of High Fashion
Luck was on my side when just a couple weeks after our discoveries, the very strong master George Kane entered our trap.
Silman – George Kane, [E20] Bagby Memorial 1982
1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 c5 5.d5 Bxc3+ 6.bxc3 Nh5 7.g3 f5 8.e4 f4
The refutation of 8...f4.
Of course, 9...0-0 loses right away to 10.Qd5 with the double threat of 11.Qxh5 and 11.e7+, while 9...fxg3 gives White a winning advantage after 10.Qd5!
10.Ne2 fxg3 11.Bg2 Qxe6 12.hxg3 Nf6 13.g4 0-0 14.g5 Ne8 15.Nf4 Qe5 16.Nd5
When annotating the Ivanchuk-Csom game (below), Chris Ward (I guess in 1989) mentioned my game up to 15…Qe5 and said, “White went on to win, though not via the fairly straightforward 16.Qd5+.”
Actually, though 16.Qd5+ is very strong, my 16.Nd5 is far stronger.
16...Qg3+ 17.Kf1 Nc6 18.Rh3 Qe5 19.Kg1 g6 20.f4 Qg7 21.e5 d6 22.Nf6+ Nxf6 23.exf6 Qf7 24.Re3 Qc7 25.Bd5+ Kh8 26.Qe2 Bf5 27.Bd2 Rad8 28.Re1 h5 29.Re7 Rd7 30.Re8 Rd8 31.Rxf8+ Rxf8 32.Qe8 Qd8 33.Bxc6 bxc6 34.Qxc6 Qd7 35.Qxd7 Bxd7 36.Re7 Bf5 37.Rxa7 Rb8 38.Ra6 Kg8 39.Rxd6 Ra8 40.Be3, 1-0.
This game appeared in the Player’s Chess News magazine, and after everyone saw that the feared 8...f4 was no longer a problem, 4.f3 quickly became quite popular. Suddenly, instead of my new system being under the radar, it became high fashion!
A funny aside is that this line was mentioned in the very good book, "Play the 4.f3 Nimzo-Indian" by Yuri Yakovich (Gambit, 2004). When mentioning the line 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 c5 5.d5 Bxc3+ 6.bxc3 Nh5 7.g3 f5 8.e4 f4, Yakovich wrote:
“Up to the end of the 1980s it was generally thought that 7...f4 promised Black a good game. However, Moskalenko’s discovery 8.dxe6! gives White the advantage."
He then gives “analysis” that copied my game up to 15.Nf4. When I saw this in Yakovich’s book I didn’t know whether I should laugh or cry at Grefe’s and my work (in 1982) being attributed to Moskalenko (in 1989).
Such is life in professional chess.
After my game with Kane, I was soon able to try out the position after 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 d5 5.a3 Bxc3+ 6.bxc3 c5 7.cxd5 Nxd5 8.dxc5 in a few games, and I won all of them. Here’s an example (note White’s use of the two bishops):
Though 4.f3 found itself riding the winds of fashion, eventually people lost interest in it. (I think the 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 d5 5.a3 Bxc3+ 6.bxc3 c5 7.cxd5 Nxd5 8.dxc5 line was thought to be fine for Black, and everyone moved on to the next best flavor of the day.)
A Good Opening Never Dies
However, good openings never die, and now 4.f3 is red hot again! I suspect that the thing that turned off 4.f3 fans (the 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.f3 d5 5.a3 Bxc3+ 6.bxc3 c5 7.cxd5 Nxd5 8.dxc5 line) was rejuvenated with new ideas, thus allowing a whole new generation to enjoy a love affair with this system.
When a game like this is played, everyone pays attention. When a World Champion plays it, everyone immediately copies it! So it was that 4.f3 was once again on the menu!
From Popular to Out-of-Control Wildfire!
Can anyone forget the following game? Anand played 4.f3 against Magnus Carlsen in their world championship match and seemingly built up a winning position. Many players watched this game live, and the commentators were sure that Magnus was doomed. But, for poor Anand, it was not to be.
White lost, but EVERYONE wanted the kind of position Anand had. Suddenly 4.f3 was on fire! Incredibly, shortly after the match, Nakamura (who wanted some of that mate-magic which Anand seemed to have discovered) used 4.f3 against Magnus, too. Sure enough, Carlsen was completely crushed, but (as if history has a grudge against Hikaru) the American player missed win after win and ended up losing.
Unfortunately, Nakamura’s 4.f3 curse has continued (he had a pleasant position in both games):
4.f3 is still on top of the world, living large in the ultra-fashion lane. But, like all things do, it will eventually fall out of favor, though it wouldn’t surprise me if it rose to the top of the heap again after other lines get their day in the sun.
For those that want more 4.f3, here are some recent games:
We will finish with another Nakamura game, though this time he has the Black pieces!
RELATED STUDY MATERIAL
- Read IM Silman's previous article in this series: Riding the Winds of Fashion, Part 2
- Watch IM Mark Ginsburg's video series on the Benoni
- Build your technique in the Catalan with the Chess Mentor
- Sharpen your tactics with the Tactics Trainer
- Looking for articles with deeper analysis? Try our magazine: The Master's Bulletin