blueemo, makes sense, but as a d4 player I'm much happier here then any strong theoretical opening on move 3: 1.a3 1.d5 2 Nf3 2. Nf6 3.g3, 3.Bf5
I just feel like the white pieces have a theoretical advantage in openings where we fight for the center, move the central pawns, and develop quickly. If it ever feels equal and I have white I feel like I have gone wrong somewhere.
Dsmith 2.Nf6 is better. On c4 I probably play c6 or e6. I'm wondering how you plan to develop your dark squared bishop without creating weakness.
@stassneyking - Against the London System with colors reversed, I'd play 1. a3 d5 2. e3 Bf5 3. c4:
I've played this (I have a strong student player at the local club who commonly plays the London System) to good effect. In the normal London System, a tempo usually has to be spent preventing a knight from accessing b5 (double attack on c7), but the a3 move to start already prevents this with reversed colors, so white can treat it like a normal reverse-Benoni or even a conventional Reti Opening. In any case, black will have to burn a tempo, possibly two, on his f5 bishop eventually (exchanging it for the b1 knight costs two tempi).