Thoughts on 1.Nc3

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Avatar of BonTheCat
nighteyes1234 wrote:
BonTheCat wrote:
 

There really aren't any, and the same goes for the French. White can't really avoid any of the mainstream openings. 1.Nc3 has no real independent significance.

 

So because a move can be declined it has no real independent significance? Hmm...so if I hang my queen for 5 moves, there is no independent significance to that because I cant avoid you not taking it. Good to know. Next time my opponent does so, I'll say 'Nice try to make an unorthodox move but I know I dont have to take it!'...and then not take it just to show them. What a winning attitude you have!

'If I hang my queen for five moves...' What kind of an argument is that? That would indeed be unorthodox opening play, but surely not what you're aiming for ...

You still haven't proven my point wrong. 1.Nc3 nearly always transposes to other well-known openings. French, Caro-Kann, Richter-Veresov, Bird, even Reti. It has no independent significance as an opening.

Avatar of darkunorthodox88
my137thaccount wrote:

It would seem to me that the easiest line against 1.Nc3 is this:

A Caro-Kann in which black hasn't needed to play c6. Also, black could transpose to the actual Caro-Kann, avoiding the lines @darkunorthodox88 suggested - what does white play then instead? I don't see any sensible deviations though I'm probably missing something.

this line is fine for both sides, but a little bland. i usually play for a d4, g3 formation, trying to put pressure on black's queenside of try to exploit the double pawns to form some d-passer or some d4, c4, b4-b5 pawn break long term. Black is very solid, but for quite some time, white is the only one with any claim for an advantage.

the lines with ng3, bc4 and d3 are actually pretty decent for white. in a lot of these lines, i often feel d4 is more of a target for black than an advantage. you basically play to aim at black's light squares. bc4 d3, nf3 qe2 0-0 re1 ng5 stuff is usually seen, with a lot of sac potential. even if white doesnt get the attack, white has decent piece placement and nothing for black to shew on. it probably does equalize a bit quicker than the d4 bd3 ne2 lines but white has most of the fun.

it takes two to make an exciting bold game, thats just part of life.

Avatar of darkunorthodox88
BonTheCat wrote:
nighteyes1234 wrote:
BonTheCat wrote:
 

There really aren't any, and the same goes for the French. White can't really avoid any of the mainstream openings. 1.Nc3 has no real independent significance.

 

So because a move can be declined it has no real independent significance? Hmm...so if I hang my queen for 5 moves, there is no independent significance to that because I cant avoid you not taking it. Good to know. Next time my opponent does so, I'll say 'Nice try to make an unorthodox move but I know I dont have to take it!'...and then not take it just to show them. What a winning attitude you have!

'If I hang my queen for five moves...' What kind of an argument is that? That would indeed be unorthodox opening play, but surely not what you're aiming for ...

You still haven't proven my point wrong. 1.Nc3 nearly always transposes to other well-known openings. French, Caro-Kann, Richter-Veresov, Bird, even Reti. It has no independent significance as an opening.

have you actually taken a look at, knight on the left?

Avatar of BonTheCat

Yes, of course. A friend of mine used to play 1.Nc3 all the time. He and I had numerous Caro-Kanns and hardly any of his other games were anything more than transpositions to mainline openings. They just happened to start 1.Nc3.

Avatar of BonTheCat
gambitlover wrote:
BonTheCat schreef:
 

There really aren't any, and the same goes for the French. White can't really avoid any of the mainstream openings. 1.Nc3 has no real independent significance.

  1.Nc3 e6 

2. f4     2.Nf3    2.g4

What are you trying to prove? 2.f4 is just Bird's Opening, 2.Nf3 is the Mexican Defence with colours reversed, and 2.g4 is the Grob. Furthermore, if you're French or Caro-Kann player, your immediate instinct is to reply 1...d5 to 1.Nc3, not 1...e6 or 1...c6, because you're not particularly worried about the Richter-Veresov. Do you intend to play 2.g4 against that as well?

This discussion is getting really tedious, because all you're trying to prove is the non-existant originality of the Dunst. It constantly leads to mainstream openings. Nothing wrong with that, of course, because it enables you to avoid certain lines you don't like. However, you can't claim much by way of originality.

 

Avatar of my137thaccount
gambitlover wrote:
BonTheCat schreef:
 

There really aren't any, and the same goes for the French. White can't really avoid any of the mainstream openings. 1.Nc3 has no real independent significance.

  1.Nc3 e6 

2. f4     2.Nf3    2.g4

Why would black play 1.Nc3 e6? 1.Nc3 d5 2.e4 e6 is the French

Avatar of BonTheCat

Just so, my137thaccount! Same for the Caro-Kann. Black plays 1...d5, not 1...e6 or 1...c6, and Black even has the option of cutting out the latter move should he/she chose to do so and get a Caro-Kann with a tempo up.

Avatar of BonTheCat

DeirdreSkye: Arguably 1...d5 limits White's options even more than 1...e6, and makes it easier to get the French Defence desired.

That said, we're clearly just 'arguing' over the Pope's beard here. If White really wants to avoid the French, the Caro-Kann, the Sicilian etc., and play say Bird's Opening, the Reti or Zukertort, Nimzowitsch-Larsen, the Grob and so on; 1.Nc3 is clearly a suboptimal choice as a first move. It doesn't even fit well into any of those openings. As you say, the Mexican Opening with colours reversed is about the only neat fit, and that isn't exactly going to strike fear into the hearts of opponents.

Avatar of my137thaccount
DeirdreSkye wrote:
my137thaccount wrote:
gambitlover wrote:
BonTheCat schreef:
 

There really aren't any, and the same goes for the French. White can't really avoid any of the mainstream openings. 1.Nc3 has no real independent significance.

  1.Nc3 e6 

2. f4     2.Nf3    2.g4

Why would black play 1.Nc3 e6? 1.Nc3 d5 2.e4 e6 is the French

If he is a French defense player he might want to play French defense.

      Black can also play 1.Nc3 d5 2.e4 e6 which is the same position. It's not so much the move order the case as it is the fact that White can do nothing reasonable to avoid the transpositions in most of Black's systems. Only if Black cooperates a lot White gets something like Mexican defense with colors reversed.

     For those of you interested look for the games of Mestrovic and you will see that he uses 1.Nc3 to transpose in more than 70% of the cases. Against ....e6 and ...d5(or ...d5 and ...e6) he plays the following

Despite Mestrovic's valiant efforts to make this playable , it is hardly inspiring and it is French defense anyway(and seriously , who would play  2.Nc3  3.Nf3 4.Qe2 against French?)

Yeah, I was simply pointing out that 1.Nc3 e6 2.f4 is irrelevant if black plays 1.Nc3 d5 2.e4 e6, I think you misunderstood

Avatar of d0su

A 1.Nc3 player needs to embrace the idea of transpositions. The French, Caro-Kann, etc. are pretty much unavoidable without going really off the rails.

That said, many of these transpositions come at a cost to black, and there are independent lines worth considering.

1. Nc3 e5 2. Nf3 Nc6 3. d5
A Scotch-esque game that can only be good for white, it seems.

1. Nc3 e5 2. d5
Ultimately equal, but still playable. Reminds of the Center Game in that regard.

1. Nc3 d5 2. e4 d4 3. Ne2
The main appeal of Nc3, in my opinion. Very complex and interesting, though the computer likes black. You can call it a variation of the Scandinavian if you want, but it occurs much more often via a 1.Nc3 move order.

There are other options as well, from sound open games to unsound crazy gambits, but if these positions appeal to you for whatever reason then Nc3 seems a good choice.

Avatar of my137thaccount
gambitlover wrote:
DeirdreSkye

I discussed moves with 1.Nc3 E6 and you talk about something else 1.Nc3 D5.

 

Why are you discussing 1.Nc3 e6? Nobody mentioned it in this thread except you. It would be like discussing the options after 1.Nc3 b6 when nobody will play it.

Avatar of BonTheCat
gambitlover wrote:
 
I thought that this topic was about opportunities that Nc3 offers compared to the normal order of the main openings, and therefore simply claiming that Nc3 only leads to "normal" openings being incorrect. 1.Nc3 e6 2.f4 In the Bird the move 1. ..e6 will seldom be seen in response to 1.f4 at the first move. Normally Black plays Nf6 or d5 to prevent e4. 1.Nc3 e6 2.g4 You can call this a Grob, but normally White then planned to play c2-c4, which is not possible here. Besides, 1. .. e6 will be rarely played, because it blocks the C8bishop, which is the natural attacker of the g4 pawn. 1.Nc3 e6 2.Nf3 Can hardly be called an inversed Mexican defence while d4 ore c4 are not played yet.  

You're clearly not reading what I'm writing properly. First of all, most Caro-Kann and French Players would reply 1...d5 (not 1...e6 or 1...c6). Secondly, I did point out that 1.Nc3 is a suboptimal move in many of the variations. Just because you can't play c4 on the fourth of fifth move, doesn't mean that you haven't played a Grob (it just means that you've played a line which isn't better than the main line Grob). The same goes for all the others. You don't normally want to play Nc3 that early, if at all. And Mexican Defence with colours reversed, ehrm ... well that's exactly the point: we're only in the early opening stages yet.

We're just saying that 1.Nc3 has very little independent significance. You get opening systems which are typically main-line and not always in a good way for White (because may not want to commit your knight to c3 that early.

Avatar of my137thaccount
gambitlover wrote:
my137thaccount schreef:
gambitlover wrote:
DeirdreSkye

I discussed moves with 1.Nc3 E6 and you talk about something else 1.Nc3 D5.

 

Why are you discussing 1.Nc3 e6? Nobody mentioned it in this thread except you. It would be like discussing the options after 1.Nc3 b6 when nobody will play it.

We were talking about original answers if Black wants a French setup ( = e6 no ?)

No. The point of the French Defense is to play d5 without losing the central pawn. Hence, black plays 1.Nc3 d5 2.e4 e6, not the nonsensical 1.Nc3 e6

Avatar of BonTheCat
gambitlover wrote:
fairytalebeast schreef:

whoa! calm down people, the reason Van Geet not popular is glaringly obvious, the important c pawn is blocked right on the opening move,

After  1.e4 e5 2.Nf3 Nc6  black's c-pawn is blocked too. So, whats the point ?

It's an entirely different opening. On his second move White threatened the pawn on e5, and Black defended it. 1.Nc3 threatens nothing and doesn't actually take control over any centre squares after Black's most natural reply 1...d5.

Just as DeirdreSkye points out, it has no independent significance. It doesn't make it a bad move as such, just that it won't lead to original positions. It will just transpose to one mainline opening or another.

Avatar of BonTheCat
gambitlover wrote:
my137thaccount schreef:
gambitlover wrote:
DeirdreSkye

I discussed moves with 1.Nc3 E6 and you talk about something else 1.Nc3 D5.

 

Why are you discussing 1.Nc3 e6? Nobody mentioned it in this thread except you. It would be like discussing the options after 1.Nc3 b6 when nobody will play it.

We were talking about original answers if Black wants a French setup ( = e6 no ?)

Why don't you pay attention to what we're saying? A French or Caro-Kann player is quite happy to reply 1...d5 in response to 1.Nc3, because they get to play straight away the move they're normally preparing for when they play 1...e6 or 1...c6. Against 1.e4 it has to be prepared by 1...e6 or 1...c6 (unless Black fancies playing the Scandinavian). Furthermore, they're unlikely to go into any type of mirror Alekhine with colours reversed. If White plays 2.e4, those players are much more likely to reply 2...e6 or 2...c6, than 2...d4.

 

Avatar of my137thaccount

Some diagrams to clarify things for @gambitlover:

 

Avatar of BonTheCat

No one is disputing the playability of the White second moves that you mention, but after 1.f4 d5, how many Bird players are likely to play 2.Nc3, instead of say 2.b3 or 2.Nf3? It's just an inferior line in the Bird's Opening! You're just being silly for the sake of argument. 1.Nc3 doesn't have any independent significance, unless Black cooperates. And why should s/he? Black gets to play his/her openings without much hindrance from White. Why is it so difficult for you to admit that?

Avatar of d0su
DeirdreSkye wrote:
d0su wrote:

A 1.Nc3 player needs to embrace the idea of transpositions. The French, Caro-Kann, etc. are pretty much unavoidable without going really off the rails.

That said, many of these transpositions come at a cost to black, and there are independent lines worth considering.

1. Nc3 e5 2. Nf3 Nc6 3. d5
A Scotch-esque game that can only be good for white, it seems.

 

Can you explain why that can only be good for White?

I don't see a way for black to gain an advantage. I'm no Scotch expert, so I'll defer to Keilhack's analysis, but neutral or +/= is only better for white, yes?

@BonTheCat -- You keep saying "no independent significance". As far as I can tell, at least several of the "main" lines are not direct transpositions, and yet offer white as much a chance at advantage as the London system. Does the London have independent significance?

Avatar of darkunorthodox88

this is one reason i have almost completely given up on posting here on chess.com

you give 5 paragraphs of information addressing all these points and two pages of replies later, you get the same nonsense being discussed in 2 sentence replies by patzers to each other. 

DO YOU NOT READ!?

 

Avatar of Loudcolor

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