TIPS FOR BEGINNERS
Always trade queens so you can't blunder them
Except if your own Queen is better that than of your opponent's.
Here in this position I must ask you if Black should trade Queens (this position will not happen in a real competitive game, just an example).
Most important tip: blunder check before you move.
Always trade queens so you can't blunder them?
Always give check... it might be mate!
Most important tip: blunder check before you move.
Always trade queens so you can't blunder them?
Always give check... it might be mate!
Actually, that's a silly idea.
How about this:
Be aware of the TERRAIN of a chess-board. The center is a hill-top. You can look down on all parts of the board from there... and of course, they can see you too. The Pawns form the trees and underbrush, and will determine whether the fight takes place out in the open or in a dense jungle.
A good tip of advice is to learn chess opening principles. These are guidelines to help you in the opening part of the game. Here is an in-depth blog post of mine where I share the 3 opening principles I consider the most valuable.
https://www.chess.com/blog/KeSetoKaiba/opening-principles-again
Process the books, as many as possible. If you're too young for that get a coach, the stronger the better.
If you are truly gifted, you make your own, you don't need my advice you did not start this thread. You are the one who writes the books.
A few chess tips from J.R. Capablanca
At the beginning of this book it was stated that, space permitting, I would give some points useful for beginners, but which also might be found of value to more experienced players. With that object I now give the substance of a part of a lecture, delivered by me at the Hamp¬ stead Chess Club on Saturday, November 15th, 1919.
A player some time ago asked me to give him some advice for average players, and I asked him of what sort, and what did he find was the general weakness. He said that some players are very aggressive and others are not aggressive at all. Both are wrong, but if you have to be one of the two, it is much better to be very aggressive.
The game might be divided into three parts, i.e.: —
1. The opening.
2. The middle-game.
3. The end-game.
There is one thing you must strive for, to be equally efficient in the three parts. Whether you are a strong or a weak player, you should try to be of equal strength in the three parts. You might say, with regard to the openings, that the main principle is rapid and efficient development. You must not lose sight of the fact that when you bring out your pieces you must put them in the right places. In the middle-game, the main thing is the coordination of pieces , and this is where most players are weak. Many try to attack with one piece here and another there without any concerted action, and later they wonder what is wrong with the game. You must co¬ ordinate the action of your pieces, and this is a main principle which runs throughout. In the end-game, what you need is accurate and time-saving play ; any move that gains time or saves time in the end-game is a move which must be considered immediately. Broadly speaking, these are the principles.
It is quite an advantage to have the initiative, and once you have it you must keep it. If your opponent has it, and relinquishes it through some accident or other, you must take it. It may be a good quality for a strong player to be passive and let the other player attack him, thinking he will at some time or other make a bad move, but it is fatal to the beginner or medium player — such players must be aggressive. He must attack, because only in that way can he develop his imagination, which is a very important thing.
Another very important point is the economy of forces in the defence. You will find people very often frightened when a Pawn or a piece is attacked, or especially the King; they try to bring all their pieces to defend him. This is wrong. You must always try and defend your King with as few pieces as you can, and it is only when attacking your opponent’s King that you must bring for¬ ward all the pieces you can. When attacking other pieces use just sufficient force to attain your object.
Starting with the opening you probably find you are confronted with a move which you have not seen before. You say to yourself, “ What can I do? ” The answer is, “ Play what you might call the common-sense move.” Bring your pieces out quickly, and put them in a safe place. You may not make the best move by doing this, but it will be a lesson for the next game. The main thing is to move out your pieces as quickly as possible. I would add that most people do not like to lose games, and take defeat badly. This is not right. People who want to improve should take their defeats as lessons, and endeavour to learn what to avoid in the future. You must also have the courage of your convictions. If you think your move is good, make it. Experience is the best teacher. Most people during a game have an idea that a certain manoeuvre is good, but they are afraid to make it. That is wrong; you must go on and play what you think is good without hesitation. -J.R. Capablanca
MF DOOM
Mr. Fantastik
Mr. Fantastik
Villain
(What up, fella?
(Ain't nothin', what's the word?)
(What's cracking, boy?)
(Same ol' sht, kid)
(Man)
(Different day, you know?)
(These rap snitches, man, sht is bugged out, man)
(What the fawk, man?)
(Sht, you telling me)
(Fellas running their mouth, telling everything, everything)
(Critical)
Rap snitches, telling all their business
Sit in the court and be their own star witness
Do you see the perpetrator? Yeah, I'm right here
Hawk around, get the whole label sent up for years, uh
Rap snitches, telling all their business
Sit in the court and be their own star witness
Do you see the perpetrator? Yeah, I'm right here
Gawk around, get the whole label sent up for years
Type profile low, like A in Paid in Full
Attract heavy cash 'cause the game's centrifugal
Mister Fantastik, long dough like elastic
Guard my life with twin Glocks that's made out of plastic
Can't stand a brown nosing fella fake gluteus mustard
Admiring my style, tour bus through Manhattan
Plotting, plan the quickest, my flow's the sickest
My hos be the thickest, my dro the stickiest
Street fellla, stamped and bonafide
When beef jump fellas come get me 'cause they know I drive
True to the sky mask, New York's my origin
Play a fake gangsta like a old accordion
According to him, when the D's rushed in
Complication from the wire testimony was thin
Caused his man to go up north, the ball hit 'em again
Lame rap snitch fella even told on the Mexican
Rap snitches, telling all their business
Sit in the court and be their own star witness
Do you see the perpetrator? Yeah, I'm right here
Mess around, get the whole label sent up for years
Rap snitches, telling all their business
Sit in the court and be their own star witness
Do you see the perpetrator? Yeah, I'm right here
Mess around, get the whole label sent up for years
True, there's rules to this shut, fools dare care
Everybody wanna rule the world with Tears For Fear
Yeah, yeah tell 'em, tell it on the mountain hill
Running up they mouth bill, everybody doubting still
Informer, keep it up and get tested
Pop through the bubble vest or double breasted
He keep a lab down south in the little beast
So much heat you woulda thought it was the Middle East
A little grease always keeps the wheels a spinning
Like sitting on twenty threes to get the squealers grinning
Hitting on many trees, feel real linen
Spitting on enemies, get the steel for tin men
Where no brains but gum flap
He said his gun clap, then he fled after one slap
Son shut your trap, save it for the other females
Mm, delicious, rap snitch knishes
(Fake hustling, fella)
(Perpetrator?)
(Yeah, I'm right here)