loubalch, you bring up an issue that should be seriously considered.
An earlier thread mentioned chess fifty years from now. I then asked (to the effect), that when those fifty years from now look back at our "era", what chess set would reflect this present age?
As you mentioned, the pawn has grown in size. Also discussed in recent threads was how the pawns grew in stature in Soviet sets to reflect the importance of the common worker, the proletariat. We also know why the Soviets also produced sets with bishops missing their mitres and kings, their crosses.
And so, the question loubalch poses is a perfect one. As "moderns" who know how the various "players" have changed since the time of Staunton, should our pieces reflect that change? Anyone can understand our clinging to the golden era of chess and our romanticising that era, but what legacy will we leave to our chess descendants that represents our own time?
Of course, one could argue that Staunton (or Cook) was simply romanticizing what he considered their "golden era".
I know this is going to sound sacrilegious to all the fans of Jaques repro sets out there, so please, AVERT YOUR EYES NOW. I cannot be responsible for the ire, pain and disgust that the next few paragraphs may cause you.
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If Nathaniel Cook (or whoever designed the original Staunton set) were still alive today, I suspect he would have made a few modifications to his original design over the past 166 years.
In recognition of the emancipation of those homo sapiens among us of the female persuasion, the queen's stature would most definitely increase to a height which more accurately portrays the power that she truly wields.
And once her stature is increased, well, we have to proportionally enlarge the remaining pieces as well.
In the romantic era of chess, when the Staunton design first appeared, attacking, tactical chess was in its heyday -- damn the torpedoes, full speed ahead! And contests seldom lasted beyond the middle game (check and mate). It was rare in those times even to reach the end game (end game, what's that?). So it's no surprise that the romantics didn't hold the lowly pawn in very high esteem. I mean, why would they? They only got in the way, and games never lasted long enough for them to get to the other side of the board!
So naturally, their stature in 1849 reflected their perceived value, which wasn't a whole lot. But all that's changed in the modern era where 8 pawns are no longer an impediment, but 8 potential QUEENS! So isn't it about time the pawn got the respect he deserves! I think so. Instead of a diminutive "4 pawns to a square," the modern pawn has grown in stature to more closely reflect his true potential.
Nathaniel Cook's 1849 Staunton Design
Nathaniel Cooks 2015 Staunton Design?