I hope the Fine citatation (if there is one) is not from Fine's book Psychology of the Chess Player. . . .
Any insight into Morphy based on such "analysis" is probably not very insightful at all.
In 1943 Fine wrote a series of articles called "The Great Materpieces of Chess" for Chess Review in which he analyzed a game by a great player and provided some background material. One of the games was the famous 1857 Paulsen-Morphy game where Morphy sacs his Queen for an irrefutable attack. In this article he wrote:
"Then, Morphy's great goal in life, we have repeatedly been told, was to be a prominent lawyer and he found that prospective clients gaped at the chess genius, but could not take the lawyer seriously. He must have reflected on how different the situation would have been if he had achieved casual prominence in some other field. Thus the twin delusions that chess was worthless, and that he could not do anything else, continually increased his isolation and finally led to loss of balance. "
In 1956 Fine published an article called, "Psychoanalytic Observations on Chess and Chess Masters," in the professional journal Psychoanalysis. He republished it in 1967 in booklet form with some slight variations under the title, "The Psychology of the Chess Player."
There he wrote:
"Now Morphy's refusal to embrace chess as a profession was followed by his refusal to embrace any profession. Such a deep refusal to take life seriously must have much deeper roots than the accident of Staunton's verbal dyspepsia. In fact, the withdrawal from life must have been present very early and compensated by the overpowering interest in chess. . . . In effect, his chess playing warded off the psychosis. The accident of native genius catapulted him into a world famous celebrity. As world champion, he could no longer take chess lightly, or look upon it as a mere game. If chess could not be recreation, it lost its defensive value, and hence a further regression took place; the psychosis, previously concealed, broke out in full force. . . .
Morphy's breakdown revealed traits which had previously been sublimated in chess: memory regressed to a fixation on his childhood environment; visualization broke down into voyeurism, gratified by the opera, by staring at women's faces, and by another eccentric habit of arranging
women's shoes in a semicircle in his room. When asked why he liked to arrange the shoes in this way he said: "I like to look at them." The connection between organization and paranoid systematization has been mentioned. The paranoia was also a regressive expression of the fear of attack which had been sublimated in chess. Instead of being able to accept the imaginary chess world, he lost the ability to differentiate between fantasy and reality (he became his father through a psychotic identification with him). In spite of all this, however, the ego remained sufficiently intact to allow him to be maintained outside a hospital."
Lawson wrote (p.304) that "Edge and various letter bring out that he [Morphy] led an active social life in Paris during his three sojourns there. His company was sought out by women of the French nobility. . ."
Other that to disabuse the readers of the writings of Fine and Jones on the causes of Morphy's psychological condition, Lawson really made no suggestion himself, explicitly or implicitly, on the possible causes.
Can you cite where Fine and Lawson express these as reasons for Morphy's so-called madness or where Edge despicts Morphy as a loner and social outcast?
I hope the Fine citatation (if there is one) is not from Fine's book Psychology of the Chess Player. It was a while ago but what I read of it seemed fairly worthless, a straight recitation of then fashionable Freudian theory without a shred of insight from one of the world's great chess players who also held a doctorate in psychology, but a book that any accomplished academic in the field with no background in chess at all might have written. Any insight into Morphy based on such "analysis" is probably not very insightful at all.