
Wei Lieh Lee "Gazebo Chess Set"


Lewka Z Cims "Pawn Solo No. 4"
Start with Lines on the board then on the page,
Our plays as pieces or pieces in play;
The battle begins on a chequered stage.
Masters and acolytes locked in a cage,
The Black and White war blazes night and day.
Start with lines on the board then on the page
Before you write or move, consult your sage.
Least strategy and plot become the way
the battle begins on a chequered stage.
As the kings horses and the queens men rage;
Beware all moves you make and words you say,
Start with lines on the board, then on the page.
Your opponent and audience engage
you your breaking mind, leaving you to pray;
the battle begins on a chequered stage.
Is it your mind or your soul that you wage
A clever ending not given away?
Start with lines on the board then on the page,
the battle begins on a chequered stage.
By our very own pawnsolo2 (James). If your interested, you can check out Poets & Writers of Chess.com to see more of his work #:)
I really enjoyed this game, and am a Friedel fan going back a bit anyway. He was instrumental in helping our S.F Mechanics win the 2006 USCL Championship.
A few essential USCl links: http://www.uschessleague.com/index.html
Greg Shahade's colorful week two video recaps--better then Sports Center, as somebody put it. Recap for the Western Division:
http://www.chessvideos.tv/forum/viewtopic.php?f=32&t=3730
And for the Eastern Division:
http://www.chessvideos.tv/forum/viewtopic.php?f=32&t=3735

Branka Moser "Untitled"
Vitoria's Secret
The one in the upper left-hand corner
is giving me a look
that says I know you are here
and I have nothing better to do
for the remainder of human time
than return your persistent but engaging stare.
She is wearing a deeply scalloped
flame-stitch halter top
with padded push-up styling
and easy side-zip pants.
The one on the facing page, however,
who looks at me over her bare shoulder,
cannot hide the shadow of annoyance in her brow.
You have interrupted me,
she seems to be saying,
with your coughing and your loud music.
Now please leave me alone;
let me finish whatever it was I was doing
in my organza-trimmed
whisperweight camisole with
keyhole closure and a point d' esprit mesh back.
I wet my thumb and flip the page.
Here, the one who happens to be reclining
in a satin and lace merry widow
with an inset lace-up front,
decorated underwire cups and bodice
with lace ruffles along the bottom
and hook-and-eye closure in the back,
is wearing a slightly contorted expression,
her head thrust back, mouth partially open,
a confusing mixture of pain and surprise
as if she had stepped on a tack
just as I was breaking down
her bedroom door with my shoulder.
Nor does the one directly beneath her
look particularly happy to see me.
She is arching one eyebrow slightly
as if to say, so what if I am wearing nothing
but this stretch panne velvet bodysuit
with a low sweetheart neckline
featuring molded cups and adjustable straps.
Do you have a problem with that?!
The one one the far right is easier to take,
her eyes half-closed
as if she were listening to a medley
of lullabies playing faintly on a music box.
Soon she will drop off to sleep,
her head nestled in the soft crook of her arm,
and later she will wake up in her
Spandex slip dress with the high side slit,
deep scoop neckline, elastic shirring,
and concealed back zip and vent.
But opposite her,
stretched out catlike on a couch
in the warm glow of a paneled library,
is one who wears a distinctly challenging expression,
her face tipped up, exposing
her long neck, her perfectly flared nostrils.
Go ahead, her expression tells me,
take off my satin charmeuse gown
with a sheer, jacquard bodice
decorated with a touch of shimmering Lurex.
Go ahead, fling it into the fireplace.
What do I care, her eyes say, we're all going to hell anyway.
I have other mail to open,
but I cannot help noticing her neighbor
whose eyes are downcast,
her head ever so demurely bowed to the side
as if she were the model who sat for Correggio
when he painted "The Madonna of St. Jerome,"
only it became so ungodly hot in Parma
that afternoon, she had to remove
the traditional blue robe
and pose there in his studio
in a beautifully shaped satin teddy
with an embossed V-front,
princess seaming to mold the bodice,
and puckered knit detail.
And occupying the whole facing page
is one who displays that expression
we have come to associate with photographic beauty.
Yes, she is pouting about something,
all lower lip and cheekbone.
Perhaps her ice cream has tumbled
out of its cone onto the parquet floor.
Perhaps she has been waiting all day
for a new sofa to be delivered,
waiting all day in a stretch lace hipster
with lattice edging, satin frog closures,
velvet scrollwork, cuffed ankles,
flare silhouette, and knotted shoulder strap
available in black, champagne, almond,
cinnabar, plum, bronze, mocha,
peach, ivory, caramel, blush, butter, rose, and periwinkle.
It is, of course, impossible to say,
impossible to know what she is thinking,
why her mouth is the shape of petulance.
But this is already too much.
Who has the time to linger on these delicate
lures, these once unmentionable things?
Life is rushing by like a mad, swollen river.
One minute roses are opening in the garden
and the next, snow is flying past my window.
Plus the phone is ringing.
The dog is whining at the door.
Rain is beating on the roof.
And as always there is a list of things I have to do
before the night descends, black and silky,
and the dark hours begin to hurtle by,
before the little doors of the body swing shut
and I ride to sleep, my closed eyes
still burning from all the glossy lights of day.
Billy Collins
Wei Lieh Lee "Gazebo Chess Set"