Mikhail Botvinnik's Influence on Chess
Botvinnik's example and teaching established the modern approach to preparing for competitive chess: regular but moderate physical exercise; analysing very thoroughly a relatively narrow repertoire of openings; annotating one's own games, those of past great players and those of competitors; publishing one's annotations so that others can point out any errors; studying strong opponents to discover their strengths and weaknesses; ruthless objectivity about one's own strengths and weaknesses. Botvinnik also played many short training matches against strong grandmasters including Salo Flohr, Yuri Averbakh, Viacheslav Ragozin, and Semion Furman – in noisy or smoky rooms if he thought he would have to face such conditions in actual competition. Vladimir Kramnik said, "Botvinnik's chess career was the way of a genius, although he was not a genius", meaning that Botvinnik was brilliant at making the best use of his talents.
Botvinnik used almost exclusively queenside pawn openings with the white pieces. In his eight World Championship matches, he never started a game with an e4-opening, and his usual choices as White were the English Opening or Queen's Gambit. When playing the black pieces, he preferred the French Defense or Sicilian Defense in response to 1.e4, and the Slav Defense or Nimzo-Indian Defense in response to 1.d4. While Botvinnik did not use a wide range of openings, he made major contributions to those he did use, for example: the Botvinnik Variation of the Semi-Slav Defense in the Queen's Gambit Declined, the Kasparov/Botvinnik system in the Exchange Variation of the Queen's Gambit Declined, the Caro–Kann Defence (both the Panov–Botvinnik Attack for White and various approaches for Black), the Winawer Variation of the French Defense, the Botvinnik System in the English Opening. In his openings research Botvinnik did not aim to produce tactical tricks that would only be effective once, but rather systems in which he aimed to understand typical positions and their possibilities better than his rivals. His advice to his pupils included "My theory of the openings fitted into one notebook" and "You don’t have to know that which everyone knows, but it is important to know that which not everyone knows." In fact he used different notebooks in different periods, and copied a few analyses from one notebook to the next. The "Soviet School of Chess" that dominated competition from 1945 to about 2000 followed Botvinnik's approach to preparation and to openings research; and, although Soviet players had their own preferred styles of play, they adopted his combative approach and willingness to ignore "classical" principles if doing so offered credible prospects of a lasting advantage.
In 1963, Botvinnik founded his own school within the Soviet coaching system, and its graduates include world champions Anatoly Karpov, Garry Kasparov and Vladimir Kramnik, and other top-class players such as Alexei Shirov, Vladimir Akopian and Jaan Ehlvest. Botvinnik was not an infallible spotter of chess talent: although he said of the 11-year-old Kasparov, "The future of chess lies in the hands of this young man", he said on first seeing Karpov, "The boy doesn't have a clue about chess, and there's no future at all for him in this profession." But Karpov recounts fondly his youthful memories of the Botvinnik school and credits Botvinnik's training, especially the homework he assigned, with a marked improvement in his own play. Kasparov presents Botvinnik almost as a kind of father figure, going some way towards balancing the common public perception of Botvinnik as dour and aloof; and Kasparov inherited Botvinnik's emphasis on preparation, research and innovation. Botvinnik was still playing a major teaching role in his late 70s, when Kramnik entered the school, and made a favorable impression on his pupil.