
The Music Career of François-André Danican Philidor
François-André Danican Philidor
François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player.
Philidor is often know today as a chess player. He is also regarded as the best chess player of his age; his book Analyse du jeu des Échecs was considered a standard chess manual for at least a century. A well-known chess opening and a checkmate method are both named after him.
But most people don't realize Philidor was also a composer.
François-André Danican Philidor came from a well-known musical family, which included:
- Jean Danican Philidor (c. 1620–1679), André Danican Philidor's grandfather, was a musician at the Grande Écurie (literally, the Great Stable; figuratively, the Military Band) in Paris. The original name of his family was Danican (D'Anican) and was of Scottish origin (Duncan). Philidor was a later addition to the family name. Jean Danican Philidor was given the nickname of Philidor by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist coming from Siena named Filidori.
- Michel Danican (died c. 1659), André Danican Philidor's great-uncle, was a renowned oboist and, together with Jean Hotteterre, coinvented the oboe by modifying the shawm so that the bore was narrower and the reed could be held near the end by the player's lips.
- André Danican Philidor (c. 1647–1730), François-André Danican Philidor's father, was also known as Philidor l'ainé (Philidor the Elder). He was an oboist and crumhorn player. He was a member of the Grande Écurie military band and later performed at the Court, at the Royal Chapel, in the employ of Louis XIV.
- Jacques Danican Philidor (1657–1708) was the younger brother of André Danican Philidor (Philidor the Elder) and, being a musician, too, was logically known as Philidor le cadet (Philidor the Younger).
- Pierre Danican Philidor (1681–1731), also a musician, was the son of Jacques Danican Philidor.
- Anne Danican Philidor (1681–1728) was François-André Danican Philidor's oldest brother. Anne Danican Philidor is best remembered today for having founded the Concert Spirituel, an important series of public concerts held in the palace of the Tuileries from 1725 to 1791.
Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at the age of 11. It was said that Louis XV wanted to listen to the choir almost every day, and the singers, while waiting for the king to arrive, played chess to relieve their boredom; this may have sparked Philidor's interest in chess.
Starting in about 1740, he lived and worked in Paris as a performer, teacher and music copyist. He was the teacher of the Bohemian composer and pianist Ludwig Wenzel Lachnith. During this time he met Diderot, who called him 'Philidor le subtil' in Le neveu de Rameau. He spent much of the period 1745–1754 in London after a concert tour of the Netherlands collapsed, and moved in the same circles as Dr Johnson and Dr Burney. He returned to the French capital in 1754, although his music was found by some to be too Italianate (as a result of his travels). However he scored several triumphs at the fair theatres, starting with Blaise le savetier in 1759. His three most successful works were Le sorcier (1764), Tom Jones (after Henry Fielding, 1765), and Ernelinde, princesse de Norvège (1767).
For a time Philidor was among the leading opera composers in France, and during his musical career produced over 20 opéras comiques and two tragédies-lyriques. He also wrote secular cantatas and motets.
This is a list of the complete operas of the French composer François-André Danican Philidor (1726–1795).
One of the early masters of the opéra comique, he wrote 27 works in this genre, as well as 3 tragédies lyriques.
List
Title | Genre | Subdivisions | Libretto | Première date | Place, theatre |
---|---|---|---|---|---|
Le diable à quatre, ou La double métamorphose, together with Jean-Louis Laruette | opéra comique | 3 acts | Michel-Jean Sedaine | 19 August 1756 | Paris, Foire St Laurent |
Blaise le savetier, also as: The Landlord Outwitted or The Cobbler's Wife | opéra comique | 1 act | Michel-Jean Sedaine, after Jean de La Fontaine | 9 March 1759 | Paris, Foire St Germain |
L'huître et les plaideurs, ou Le tribunal de la chicane | opéra comique | 1 act | Michel-Jean Sedaine | 17 September 1759 | Paris, Foire St Laurent |
Le quiproquo, ou Le volage fixé | opéra comique | 1 act | Moustou | 6 March 1760 | Paris, Comédie-Italienne, Hôtel de Bourgogne |
Le soldat magicien | opéra comique | 1 act | Louis Anseaume | 14 August 1760 | Paris, Foire St Laurent |
Le jardinier et son seigneur | opéra comique | 1 act | Michel-Jean Sedaine | 18 February 1761 | Paris, Foire St Germain |
Le maréchal ferrant | opéra comique | 2 acts | Antoine François Quétant, after Boccaccio | 22 August 1761 | Paris, Foire St Laurent |
Sancho Pança dans son isle | opéra comique | 1 act | Antoine Alexandre Henry Poinsinet, after Miguel de Cervantes' Don Quixote (1605) | 8 July 1762 | Paris, Comédie-Italienne (Opéra-Comique), Bourgogne |
Le bûcheron, ou Les trois souhaits | opéra comique | 1 act | Jean-François Guichard and Nicolas Castet | 28 February 1763 | Paris, Comédie-Italienne, Bourgogne |
La bagarre | opéra comique | 1 act | Jean-François Guichard and Antoine Alexandre Henry Poinsinet | 4 July 1763 | Paris, Comédie-Italienne, Bourgogne |
Les fêtes de la paix | opéra comique | 1 act | Charles-Simon Favart | 4 July 1763 | Paris, Comédie-Italienne, Bourgogne |
Le sorcier | opéra comique | 2 acts | Antoine Alexandre Henry Poinsinet | 2 January 1764 | Paris, Comédie-Italienne, Bourgogne |
Tom Jones | opéra comique | 1 act; rev. 3 acts | Antoine Alexandre Henry Poinsinet, after Henry Fielding, revised by Michel-Jean Sedaine | 17 February 1765, revised 30 January 1766 | Paris, Comédie-Italienne, Bourgogne, |
Le tonnelier, together with Charles-Guillaume Alexandre, Giovanni Ciampalanti, François-Joseph Gossec, Václav Josef Kohaut, Johann Schobert and Jean-Claude Trial | opéra comique | 1 act | Nicolas-Médard Audinot and Antoine-François Quétant, after Jean de La Fontaine's Le cuvier | 16 March 1765 | Paris, Comédie-Italienne, Bourgogne |
Ernelinde, princesse de Norvège, revised as Sandomir, prince de Dannemarck, 2nd rev. Ernelinde | tragédie lyrique | 3 acts, 2nd rev.: 5 acts | Antoine Alexandre Henry Poinsinet, after Francesco Silvani's La fede tradita, e vendicata | 24 November 1767, revised 24 January 1769 and 11 December 1773 | Paris, Académie Royale de Musique, Théâtre des Tuileries, and Versailles (1773) |
Le jardinier de Sidon | opéra comique | 2 acts | Roger-Timothée Régnard de Pleinchesne, after Il re pastore by Metastasio | 18 July 1768 | Paris, Comédie-Italienne, Bourgogne |
L'amant dégiusé, ou Le jardinier supposé | opéra comique | 1 act | Charles-Simon Favart and Claude-Henri de Fuzée de Voisenon | 2 September 1769 | Paris, Comédie-Italienne, Bourgogne |
La Rosière de Salency, together with Adolphe Blaise, Egidio Duni, Pierre-Alexandre Monsigny and Gottfried van Swieten | opéra comique | 3 acts | Charles-Simon Favart | 25 October 1769 | Fontainebleau |
La nouvelles école des femmes | opéra comique | 3 acts | Alexandre Guillaume Mouslier de Moissy | 22 January 1770 | Paris, Comédie-Italienne, Bourgogne |
Le bon fils | opéra comique | 1 act | François-Antoine Devaux and Guillaume-Antoine Lemonnier | 11 January 1773 | Paris, Comédie-Italienne, Bourgogne |
Zémire et Mélide (Mélide, ou Le navigateur) | opéra comique | 2 acts | Charles George Fenouillet de Falbaire | 30 October 1773 | Fontainebleau; a version with 3 acts was planned for the Académie Royale de Musique |
Berthe, together with H. Botson, François-Joseph Gossec and Ignaz Vitzthumb (lost) | opéra comique | 3 acts | Roger-Timothée Régnard de Pleinchesne, after Les deux reines ou Adélaide de Hongrie by Claude-Joseph Dorat and Berthe aus grans piés by Adénès Li Rois | 18 January 1775 | Brussels, La Monnaie |
Les femmes vengées, ou Les feintes infidélités | opéra comique | 1 act | Michel-Jean Sedaine | 20 March 1775 | Paris, Comédie-Italienne, Bourgogne |
Protogène | opéra comique | Michel-Jean Sedaine | incomplete and unperformed | ||
Persée | tragédie lyrique | 3 acts | Jean-François Marmontel, after Philippe Quinault | 27 October 1780 | Paris, Académie Royale de Musique, Théâtre du Palais-Royal |
Thémistocle | tragédie lyrique | 3 acts | Étienne Morel de Chédeville | 13 October 1785 | Fontainebleau |
L'amitié au village | opéra comique | Desforges (pseudonym of Pierre-Jean-Baptiste Choudard) | 18 October 1785 | Fontainebleau | |
La belle esclave, ou Valcour et Zéïla | opéra comique | 1 act | Antoine Jean Dumaniant | 18 September 1787 | Paris, Théâtre du Comte de Beaujolais |
Le mari comme il les faudrait tous, ou La nouvelle école des maris | opéra comique | 1 act | de Senne | 12 November 1788 | Paris, Théâtre du Comte de Beaujolais |
Bélisaire (3rd act by Henri-Montan Berton) | opéra comique | 3 acts | Auguste-Louis Bertin d'Antilly, after Jean-François Marmontel | 3 October 1796 | Paris, Opéra-Comique, Salle Favart I |