The Music Career of François-André Danican Philidor
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The Music Career of François-André Danican Philidor

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François-André Danican Philidor

François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player.

Philidor is often know today as a chess player. He is also regarded as the best chess player of his age; his book Analyse du jeu des Échecs was considered a standard chess manual for at least a century. A well-known chess opening and a checkmate method are both named after him.

But most people don't realize Philidor was also a composer. 

François-André Danican Philidor came from a well-known musical family, which included:

  • Jean Danican Philidor (c. 1620–1679), André Danican Philidor's grandfather, was a musician at the Grande Écurie (literally, the Great Stable; figuratively, the Military Band) in Paris. The original name of his family was Danican (D'Anican) and was of Scottish origin (Duncan). Philidor was a later addition to the family name. Jean Danican Philidor was given the nickname of Philidor by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist coming from Siena named Filidori.
  • Michel Danican (died c. 1659), André Danican Philidor's great-uncle, was a renowned oboist and, together with Jean Hotteterre, coinvented the oboe by modifying the shawm so that the bore was narrower and the reed could be held near the end by the player's lips.
  • André Danican Philidor (c. 1647–1730), François-André Danican Philidor's father, was also known as Philidor l'ainé (Philidor the Elder). He was an oboist and crumhorn player. He was a member of the Grande Écurie military band and later performed at the Court, at the Royal Chapel, in the employ of Louis XIV.
  • Jacques Danican Philidor (1657–1708) was the younger brother of André Danican Philidor (Philidor the Elder) and, being a musician, too, was logically known as Philidor le cadet (Philidor the Younger).
  • Pierre Danican Philidor (1681–1731), also a musician, was the son of Jacques Danican Philidor.
  • Anne Danican Philidor (1681–1728) was François-André Danican Philidor's oldest brother. Anne Danican Philidor is best remembered today for having founded the Concert Spirituel, an important series of public concerts held in the palace of the Tuileries from 1725 to 1791.

Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at the age of 11. It was said that Louis XV wanted to listen to the choir almost every day, and the singers, while waiting for the king to arrive, played chess to relieve their boredom; this may have sparked Philidor's interest in chess.

Starting in about 1740, he lived and worked in Paris as a performer, teacher and music copyist. He was the teacher of the Bohemian composer and pianist Ludwig Wenzel Lachnith. During this time he met Diderot, who called him 'Philidor le subtil' in Le neveu de Rameau. He spent much of the period 1745–1754 in London after a concert tour of the Netherlands collapsed, and moved in the same circles as Dr Johnson and Dr Burney. He returned to the French capital in 1754, although his music was found by some to be too Italianate (as a result of his travels). However he scored several triumphs at the fair theatres, starting with Blaise le savetier in 1759. His three most successful works were Le sorcier (1764), Tom Jones (after Henry Fielding, 1765), and Ernelinde, princesse de Norvège (1767).

For a time Philidor was among the leading opera composers in France, and during his musical career produced over 20 opéras comiques and two tragédies-lyriques. He also wrote secular cantatas and motets.

This is a list of the complete operas of the French composer François-André Danican Philidor (1726–1795).

One of the early masters of the opéra comique, he wrote 27 works in this genre, as well as 3 tragédies lyriques.

List

Title Genre Sub­divisions Libretto Première date Place, theatre
Le diable à quatre, ou La double métamorphose, together with Jean-Louis Laruette opéra comique 3 acts Michel-Jean Sedaine 19 August 1756 ParisFoire St Laurent
Blaise le savetier, also as: The Landlord Outwitted or The Cobbler's Wife opéra comique 1 act Michel-Jean Sedaine, after Jean de La Fontaine 9 March 1759 Paris, Foire St Germain
L'huître et les plaideurs, ou Le tribunal de la chicane opéra comique 1 act Michel-Jean Sedaine 17 September 1759 Paris, Foire St Laurent
Le quiproquo, ou Le volage fixé opéra comique 1 act Moustou 6 March 1760 Paris, Comédie-ItalienneHôtel de Bourgogne
Le soldat magicien opéra comique 1 act Louis Anseaume 14 August 1760 Paris, Foire St Laurent
Le jardinier et son seigneur opéra comique 1 act Michel-Jean Sedaine 18 February 1761 Paris, Foire St Germain
Le maréchal ferrant opéra comique 2 acts Antoine François Quétant, after Boccaccio 22 August 1761 Paris, Foire St Laurent
Sancho Pança dans son isle opéra comique 1 act Antoine Alexandre Henry Poinsinet, after Miguel de CervantesDon Quixote (1605) 8 July 1762 Paris, Comédie-Italienne (Opéra-Comique), Bourgogne
Le bûcheron, ou Les trois souhaits opéra comique 1 act Jean-François Guichard and Nicolas Castet 28 February 1763 Paris, Comédie-Italienne, Bourgogne
La bagarre opéra comique 1 act Jean-François Guichard and Antoine Alexandre Henry Poinsinet 4 July 1763 Paris, Comédie-Italienne, Bourgogne
Les fêtes de la paix opéra comique 1 act Charles-Simon Favart 4 July 1763 Paris, Comédie-Italienne, Bourgogne
Le sorcier opéra comique 2 acts Antoine Alexandre Henry Poinsinet 2 January 1764 Paris, Comédie-Italienne, Bourgogne
Tom Jones opéra comique 1 act; rev. 3 acts Antoine Alexandre Henry Poinsinet, after Henry Fielding, revised by Michel-Jean Sedaine 17 February 1765, revised 30 January 1766 Paris, Comédie-Italienne, Bourgogne,
Le tonnelier, together with Charles-Guillaume Alexandre, Giovanni Ciampalanti, François-Joseph Gossec, Václav Josef Kohaut, Johann Schobert and Jean-Claude Trial opéra comique 1 act Nicolas-Médard Audinot and Antoine-François Quétant, after Jean de La Fontaine's Le cuvier 16 March 1765 Paris, Comédie-Italienne, Bourgogne
Ernelinde, princesse de Norvège, revised as Sandomir, prince de Dannemarck, 2nd rev. Ernelinde tragédie lyrique 3 acts, 2nd rev.: 5 acts Antoine Alexandre Henry Poinsinet, after Francesco Silvani's La fede tradita, e vendicata 24 November 1767, revised 24 January 1769 and 11 December 1773 Paris, Académie Royale de MusiqueThéâtre des Tuileries, and Versailles (1773)
Le jardinier de Sidon opéra comique 2 acts Roger-Timothée Régnard de Pleinchesne, after Il re pastore by Metastasio 18 July 1768 Paris, Comédie-Italienne, Bourgogne
L'amant dégiusé, ou Le jardinier supposé opéra comique 1 act Charles-Simon Favart and Claude-Henri de Fuzée de Voisenon 2 September 1769 Paris, Comédie-Italienne, Bourgogne
La Rosière de Salency, together with Adolphe BlaiseEgidio DuniPierre-Alexandre Monsigny and Gottfried van Swieten opéra comique 3 acts Charles-Simon Favart 25 October 1769 Fontainebleau
La nouvelles école des femmes opéra comique 3 acts Alexandre Guillaume Mouslier de Moissy 22 January 1770 Paris, Comédie-Italienne, Bourgogne
Le bon fils opéra comique 1 act François-Antoine Devaux and Guillaume-Antoine Lemonnier 11 January 1773 Paris, Comédie-Italienne, Bourgogne
Zémire et Mélide (Mélide, ou Le navigateur) opéra comique 2 acts Charles George Fenouillet de Falbaire 30 October 1773 Fontainebleau; a version with 3 acts was planned for the Académie Royale de Musique
Berthe, together with H. Botson, François-Joseph Gossec and Ignaz Vitzthumb (lost) opéra comique 3 acts Roger-Timothée Régnard de Pleinchesne, after Les deux reines ou Adélaide de Hongrie by Claude-Joseph Dorat and Berthe aus grans piés by Adénès Li Rois 18 January 1775 Brussels, La Monnaie
Les femmes vengées, ou Les feintes infidélités opéra comique 1 act Michel-Jean Sedaine 20 March 1775 Paris, Comédie-Italienne, Bourgogne
Protogène opéra comique   Michel-Jean Sedaine incomplete and unperformed  
Persée tragédie lyrique 3 acts Jean-François Marmontel, after Philippe Quinault 27 October 1780 Paris, Académie Royale de Musique, Théâtre du Palais-Royal
Thémistocle tragédie lyrique 3 acts Étienne Morel de Chédeville 13 October 1785 Fontainebleau
L'amitié au village opéra comique   Desforges (pseudonym of Pierre-Jean-Baptiste Choudard) 18 October 1785 Fontainebleau
La belle esclave, ou Valcour et Zéïla opéra comique 1 act Antoine Jean Dumaniant 18 September 1787 Paris, Théâtre du Comte de Beaujolais
Le mari comme il les faudrait tous, ou La nouvelle école des maris opéra comique 1 act de Senne 12 November 1788 Paris, Théâtre du Comte de Beaujolais
Bélisaire (3rd act by Henri-Montan Berton) opéra comique 3 acts Auguste-Louis Bertin d'Antilly, after Jean-François Marmontel 3 October 1796 Paris, Opéra-Comique, Salle Favart I