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How to Build  an Opening  Repertoire  That Works!

How to Build an Opening Repertoire That Works!

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The opening phase is a very important part of the game. It’s where you get your pieces ready for battle. At the basic level, there are four key principles to follow:

  1. Control the center with your pawns.
  2. Develop your minor pieces (knights and bishops).
  3. Castle your king to keep it safe.
  4. Activate your major pieces (rooks and queen).

Remember, strong openings follow these basic principles.

For club-level players, the goal in the opening is to get a good position within the first 12 to 15 moves. A good position means your pieces are ready for the next stage, the middlegame. But as you get stronger, just following these four principles won’t be enough. You’ll need to learn some specific lines to get an advantage.

I want to point out a common mistake many club players make: instead of focusing on getting a strong position, they spend too much time studying complicated theoretical lines. They may be happy with a slightly better position after 20 moves, at least in theory. But in real games, they rarely get the chance to use these lines. Also, they often ignore other important parts of chess, like the middlegame and endgames. So, even if you have a small advantage from the opening, it won’t help you win if you can’t use it.

At the grandmaster level, outsmarting your opponent in the opening becomes even more important. However, strong players know how to use any advantage they get. In my opinion, for players with a rating up to 2000, following the basic principles and knowing some basic openings and lines is enough. This has worked well for me, and I know many others who have had similar success.


I want to share with you the complete opening repertoire for both sides: white and black, which I have prepared. It is based on the openings that I play, and I've named it the rock-solid opening repertoire. Get the FREE opening repertoire!


To build a reliable and consistent opening repertoire that fits your playing style, there are a few key questions to answer:

  1. Determine your playing style: Are you more strategic or tactical?
  • If you like calm positions with fewer complications, do well in endgames, and enjoy planning, you are more strategic.
  • If you prefer complex, tactical positions, have strong calculation skills, and enjoy tricky situations, you are more tactical. Most players mix both styles, but one usually stands out. Personally, I favor a strategic style.

2. Choose openings that match your style:

  • Tactical players might choose 1.e4 for more dynamic positions.
  • Strategic players might prefer 1.d4 for a more controlled game.
  • For Black, tactical openings like the Sicilian or King’s Indian Defense are common, while strategic openings like the Caro-Kann or Queen's Gambit might appeal more to strategic players. By picking openings that suit your style, you can get into positions where you feel comfortable.

3. Decide how wide your opening repertoire should be:

  • A narrow repertoire means having one response to each move your opponent makes, for example, always playing 1... c6 (Caro-Kann Defense) after 1.e4. This helps you master one opening but makes you predictable.
  • A broad repertoire means you have different choices (e.g., after 1.e4, you might play Caro-Kann, French, or Sicilian). This makes you harder to predict but means you know each opening only a little. I recommend a narrow repertoire for players with a rating under 2000, as players at this level often don’t prepare much in advance. You can focus on understanding and mastering the positions you play.

4. Pick openings and lines you enjoy:

Don’t let others decide for you; choose openings you are comfortable with. I strongly recommend using well-established openings. Relying only on traps or tricky lines might win you a few fast games but won’t help you improve over time.


Case Study: Building My Opening Repertoire
Let’s take a look at how I’ve developed my own opening repertoire:

White Repertoire:
 
I always start with 1.d4 and aim for openings that involve fianchettoing my bishop to g2. My repertoire is mostly based on the Catalan Opening. As my Elo rating reached 2400, I started adding lines where I develop my bishop through e2, which makes it harder for my opponents to prepare against me.
 
Black Repertoire Against 1.e4:
 
I began with the French Defense, focusing on the Rubinstein Variation. When my Elo rating reached 2000, I expanded my repertoire to include the Classical, Winawer, and Tarrasch variations. By the time I reached 2400, I added the Caro-Kann Defense. I tried the Sicilian, but it didn’t suit my style, and I didn’t have good results in those positions.
 
Black Repertoire Against 1.d4 (and other openings, except 1.e4):
 
I started with the Slav Defense. After a few years, I explored lines related to the Queen’s Gambit. Eventually, I found my favorite opening in the Tarrasch Defense. Now, my Black repertoire mainly focuses on the 1... d5 move, with support for e6 or c6.
 
In short, my opening repertoire is based on 1.d4 with Bg2 for White and 1... d5 with support for e6 or c6 for Black. This gives me flexibility and allows me to play positions I know well.

Helpful Tips:

chesspawn To improve your openings after you've built your repertoire foundation, I recommend creating a folder called "My Repertoire" and making subfolders for each opening. In these subfolders, keep separate PGN files for each variation (since one opening usually has several variations, you’ll need multiple PGNs). Gradually fill these files with lines you come across in your games or during preparation. Over time, your repertoire will grow, but remember, it’s a continuous process of refining and updating.
 
chesspawn For studying openings, I find the Opening Explorer to be extremely useful. It gives you access to a large database of games played by strong players. There are also many videos and blog posts available for opening study. Just make sure the sources you use are trustworthy and reliable.
 
chesspawn Also, be careful of too much information. Don't get lost in searching for thousands of sources and studying all of them. Pick something decent and try it. You can always update it later if it turns out not to be that good. There's a saying: “The perfect is the enemy of the good.”