Nova Daily - 19 December 2025: A Night At The 27 Club

Nova Daily - 19 December 2025: A Night At The 27 Club

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Hi!

It's a nice number, isn't it? 27. 3³ (or 3*3*3). "A phrase of twenty-seven letters" is a phrase of twenty-seven letters. And there is a very illustrious little club in honour of this number. It's the 27 Club.

Let's pay them a visit tonight.


A Night At The 27 Club


It was supposed to be a historic night in the abandoned Beyond Opera Hall. The 27 Club gathered here every year on 19 December. Like every year, all were present, and they were to welcome a new soul, and a new chairman. For this historic occasion, Jimi Hendrix, Robert Johnson and Kurt Cobain had been working very hard on a new song, "27 Across The Ages." It'd be a blues song at its core that'd involve a grunge guitar riff around the second chorus for raw atmosphere, and a bone-chilling solo from Jimi that'd rival his Woodstock performance of the Star-Spangled Banner.

All was set, all was prepared, to welcome their chairman. Early on in the evening, the new chairman arrived. He took off his coat, sat down at the head of the table, and introduced himself.

Cobain opted out immediately. As the confusion and discussion unfolded, he sat there, calm, with his arms folded. Jim Morrison excused himself for a moment. People are strange, he thought to himself.

"SILENCE!" shouted an extremely hoarse voice from the stage. They all knew that voice very well. It was Janis Joplin's voice, which had grown ever more sepulchral since her death in 1970. All went quiet right away. "What is the matter?"

"Have you ever taken a good look at our chairman?" Cobain said, his bangs behind his eyebrows. "Do you honestly expect me to believe that he's 27? With a beard like that??"

"Yes," snapped Brian Jones, "but Fedya has been dead well before any of us were even born!" As he said it, he wiped the bangs out of his eyes. He knew that hair and nails didn't really grow after your death and that it's the post-mortem contraction of the skin that gives the illusion of it, but it made the ends of his hair dangle annoyingly in his eyes. If only he hadn't adopted this silly haircut all those years ago.

"That would only make him that much older." Cobain shook his head disapprovingly, then turned towards the man sitting in the middle of the concert hall. "With a beard like that, you can't possibly have died at age 27. Why do you expect us to buy that?"

"Listen, guys," said Jimi, "We're all grown-ups here. We can talk this out like proper human beings, can't we? With love?"

"Love in vain," said Johnson. "This is beginning to sound like Rolling Stones in my passway."

"Oh come on," said Jones. "You've had better times."

"Enough!" shouted Cobain. "Sir, you're 59! Old age! It's a shame that you think that you can even be here, let alone be our chairman. It's dumb, and I'm exhausted. Next time just come as you are."

At that moment, the door to the hall opened up. "Here she comes," whispered Cobain to Morrison, who was seated next to him.

"La Woman," said Morrison, confident that by this time he'd had built up enough death-road credibility to permit himself a little bit of poetic liberty, although Joplin shot him a look that said 'I'd have killed you if you hadn't already been dead.'

There she was indeed. Black-haired and tattooed.

"Hey, Joe," Hendrix shouted.

"It's Valerie," said the woman.

Hendrix couldn't help but smile. He always liked it when artists were pure and authentic, and here was a woman who lived such a hedonistic life that even her name spelled her cause of death. "Amy Winehouse! Such a delight and dubious honor!"

"Who's he?" Winehouse nodded her head in the direction of the man sitting at the head of the table. "And why does he look like he's twice as old as everyone else?"

"Because he is," said Cobain. "He's Fyodor Dostoevsky."

"Fyodor Mikhailovic Dostoevsky?"

"Yes, the idiot who wrote Crime and Punishment. And now he claims to be the Bobby OG of the 27 Club and wants to be our chairman," said Joplin. "Maybe he's gone coo-coo."

Winehouse exhaled so deeply that the alcohol percentage in her circuit dropped significantly. "Listen," she said, "I've been through about as much as all of you have. During my last shows I've even been booed off the stage. But did I whine? Did I complain? Did I go to rehab? No, no, no. So why are you all behaving like a bunch of 26-year-olds?"

All fell silent now. Winehouse let the atmosphere thicken for a bit before she proceeded. "Let's hear what he has to say. Janis, at least let him try." Winehouse sat down beside Jim Morrison, fetched a cigarette, and said, "Come on, baby, light my fire." 

Dostoevsky stroked his beard and started to talk. 

"Kurt Cobain is right. I lived from 1821 to 1881. I died three decades before Robert Johnson was even born. I became older than any of you, and even older than the other cursed musician's age of 56, although I've never witnessed this when I was alive. So I understand that on the surface I am the most unlikely candidate to become chairman of the 27 Club.

"But never judge a book by its cover. You of all people should know this."

No-one made a noise. All were listening intently. Dostoevsky looked everyone in the eye briefly, and then continued:

"I was in jail. The tsar believed that I had conspired against him. For a long time I thought, 'there must be some kind of way out of here.' But no. They sentenced me to death. Not any of your deaths, where after a lifetime of building up to your own destruction you don't see it coming and everybody will be shocked that you died so suddenly. No, my death was a different kind of death. I was to be executed.

"They gave me the beautiful foresight that I'd de facing the bullet in front of everyone, humiliated, like the dogs. And they gave me only a few minutes to prepare myself for it. I was conscious. I knew what was going to happen. And I was just as old as you, beautiful people.

"I walked onto the square. People were watching. They shouted hisses and boos. They were gloating over my fate. I had minutes to live. Maybe not even minutes. I walked a step. Maybe my last step with my left foot. My last step with my right foot. I saw the blades of grass. I saw the rays of light from the sun hitting the cathedral. I smelled the fear and the horror. Soon, very soon, it would all be gone.

This was the last time that I would smell anything. 
See anything. 
Hear anything. 
The shouting. 
The eyes of the man across me. 
The barrel of the gun.

"I had seconds left to live. The frost on the field of this stadium would bid me my final goodbye. I no longer felt anything, except a piece of my heart beating in my chest. Beating so fast, as if to compensate for all the years that it would never have. That I would never have. My hope was gone, my time was up. I would hear "Aim," and "Fire. Maybe the gunshot if I was lucky. Ten more seconds. Maximum. And then I would go back to black. This is the end. 27 years of age."

Kurt Cobain was transfixed. Despite everything that had happened around his own death, he of all people in the room knew what it was to have the barrel of a gun pointed at you. Next to him, Jim Morrison felt heavy. Those words sounded very familiar. 

"In the agonising two seconds before I'd transcend time for eternity, I felt more alive, more aware of my surroundings, than I have ever done. And then, as the firearms were lifted, we hear another shout. 'Hello, hello, hello, hello!' An order to pause. I couldn't understand it at first.

"Then came the announcement. The most beautiful language that had ever been said. I was not to be executed. My sentence was commuted. I was allowed to live another day. And another, and another.

"I was on the crossroads with Death. And for all intents and purposes, I died on that faithful day. Every single day of the time that I was given as an aftermath were extra time."

Dostoevsky looked at Cobain, who at last nodded his head in agreement. All the rest found themselves doing the same.

Dostoevsky was part of the 27 Club.

He was the real deal.

Even if he only really died at age 59.

Even if...

Working daily to fashion myself a complete and durable opening repertoire. New text every day. Weekly recaps on Sunday.