I hate playing black against super unambitious d4 openings.

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zborg

No.  It's the blinkered fixation on openings per se that's the overall problem.

The "best" opening is the one you know better than your opponent.  Even if it's the HIPPO, and you play it with both colors, like former WCC Spassky.

Overall, if you're under Expert Level playing strength, it's all just Opening BS.  

So Get Over It.

You'll save yourself thousands of mindless, opinionated, keystrokes.  Very Simple.

kponds
achja wrote:
kponds wrote:
MISTERGQ wrote:

Trying to call the Grand Prix unambitious compared to the open sicilians... makes me laugh. 

As white, you have a choice between:

1. A line that black scores better than white in, but is stupid easy to learn

2. A line that white scores better than black in, but takes a little bit of effort

Choosing option #1 (the grand prix attack) would be the very definition of unambitious.  You are quite simply giving up your advantage (in fact taking a disadvantage) for a simpler game.  This is no less unambitious than playing the london system.

kponds,

Please explain in more details why Grand Prix attack Sicilian, c3 Alapin, and Closed Sicilian are, in your opinion, unambitious openings, giving white a disadvantage ?

And please show us a few of your chess games where you easily reached an equal position with black against those variations, as well as a few of your chess games where you as white got an opening advantage in the Open Sicilian.

 

I'm arguing the position as a satirical comparison to his original argument against the london system.  If you think the argument is ridiculous, you're right.

I don't play for advantage in the opening, and I have played c3, grand prix attack, closed and open sicilians, smith morra, london system, colle-zukertort, and d4/c4 mainlines.  They're all fine.  Personally I prefer playing 1. d4 with 2. c4, but I can't say that I'd be any worse off with the london system.

 

As far as the actual score of 1. e4 c5 2. Nf3 vs 1. e4 c5 2. f4, we all have access to Game Explorer and the statistics of the win/loss/draw rate in those lines is very easy to look up.  Suffice to say, statistically speaking, choosing 2. f4 does put white at a disadvantage, especially compared to 2. Nf3.

Whether this actually matters at our lowbie (sub 2000 or so) level is unknown (I don't think it does, maybe slightly more for correspondence than other forms of chess), but those are the statistics.

Again personally I don't see anything wrong with any of these openings.  I do notice sometimes when I play the London System OTB it throws my opponent into a fit, much like this guy.  So, that's an advantage right there.

Dark_Falcon
kponds hat geschrieben:
achja wrote:
kponds wrote:
MISTERGQ wrote:

Trying to call the Grand Prix unambitious compared to the open sicilians... makes me laugh. 

As white, you have a choice between:

1. A line that black scores better than white in, but is stupid easy to learn

2. A line that white scores better than black in, but takes a little bit of effort

Choosing option #1 (the grand prix attack) would be the very definition of unambitious.  You are quite simply giving up your advantage (in fact taking a disadvantage) for a simpler game.  This is no less unambitious than playing the london system.

kponds,

Please explain in more details why Grand Prix attack Sicilian, c3 Alapin, and Closed Sicilian are, in your opinion, unambitious openings, giving white a disadvantage ?

And please show us a few of your chess games where you easily reached an equal position with black against those variations, as well as a few of your chess games where you as white got an opening advantage in the Open Sicilian.

 

I'm arguing the position as a satirical comparison to his original argument against the london system.  If you think the argument is ridiculous, you're right.

I don't play for advantage in the opening, and I have played c3, grand prix attack, closed and open sicilians, london system, colle-zukertort, and d4/c4 mainlines.  They're all fine.  Personally I prefer playing d4/c4 mainlines, but I can't say that I do much better than with the london system.

 

As far as the actual score of 1. e4 c5 2. Nf3 vs 1. e4 c5 2. f4, we all have access to Game Explorer and the statistics of the win/loss/draw rate in those lines is very easy to look up.  Suffice to say, statistically speaking, choosing 2. f4 does put white at a disadvantage, especially compared to 2. Nf3.

Whether this actually matters at our lowbie level is unknown (I don't think it does, maybe slightly more for correspondence than other forms of chess), but those are the statistics.

Again personally I don't see anything wrong with any of these openings.  I do notice sometimes when I play the London System OTB it throws my opponent into a fit, much like this guy.  So, that's an advantage right there.

I agree...even on higher club level, the opening is overestimated...I play the Latvian, the Blackmar-Diemer and the Englund and crap like the Gibbins-Weidenhagen-Gambit, sometimes i win, sometimes i lose, but rarely i lose because of the sacrificed gambit pawn...its only a pawn and you get some comensation for it and iam trying to push my opponent out of his comfort zone...

I scored even worse in the past, when i was playing the French or the Scandinavian instead of the Latvian or the Elephant...strange, isnt it?

 

Maybe when you start to become more ambitious and want to rise up to master level, you have to consider playing main lines...

MISTERGQ

Except the difference is, you know, one has a reputation for being a fighting game rather than draws.

 

In our game explorer, 1. d5 ... nf6, 2. Bf4 ... e6 3. Nf3 .... b6

Leave white with a 27% chance to win, 37% chance to draw and black with 35.4% chance to win.

Grand Prix with Bb5 leaves 40.1% for white 20.7%and 39.1% for black.

Huge differences. 

kponds

The overall drawing chance after 1. d4 Nf6 is 34%.  Man I guess playing the London System totally kills all of the excitement out of the game, what, with it drawing 3% more than c4.

TitanCG

Statistics don't matter anyway because they are made up with a pool of titled players. They are relevant to players of a certain standard of play and mere trivia to anyone else. But I think in most threads like this people tend to discuss theory rather than practice and they get frustrated when opponents use theoretically 'less ambitious' openings and the advantage doesn't fall in their lap. 

TheGreatOogieBoogie

"

I agree...even on higher club level, the opening is overestimated...I play the Latvian, the Blackmar-Diemer and the Englund and crap like the Gibbins-Weidenhagen-Gambit, sometimes i win, sometimes i lose, but rarely i lose because of the sacrificed gambit pawn...its only a pawn and you get some comensation for it and iam trying to push my opponent out of his comfort zone...

I scored even worse in the past, when i was playing the French or the Scandinavian instead of the Latvian or the Elephant...strange, isnt it?

 

Maybe when you start to become more ambitious and want to rise up to master level, you have to consider playing main lines..."

 

Only a pawn... Only a pawn?!  Why such disrespect for a humble pawn?  When you're in a position like this will you still say a pawn is just a pawn?

I hope that instructive example taught you well.  Even in cases where two vs. one draws wouldn't you want the opponent to fight hard for the draw instead of being the gambiteer who fights hard for the draw? 

TheGreatOogieBoogie
MISTERGQ wrote:

There is a difference between an unambitious opening, ie the d4 sidelines, and playing a different line. C3 sicilian and Grand Prix are unambitious? Might as well call anything in the Ruy Lopez unambitious too. There's a huge difference between playing the slowest and quietest openings wasting your opening advantage, and playing a slightly different line that is definitely up for debate about which is better. Trying to call the Grand Prix unambitious compared to the open sicilians... makes me laugh. Ya'll are just angry that the London and Colle are for players that really don't really want to play chess.

 

@@ socialista - playing 9 moves before playing c4 only because your opponent played a slow opening in response does not mean your opening wasnt 'unambitious.' Also, you guys played that crap unambitious opening and didn't even press into the Q+B+pawns endgame? What is that crap? Do you only like playing the 15-20 or so moves in the middlegame? Is that it? Play a boring opening, YAY an average middlegame, oh wait a boring endgame - DRAW. Thats how your game went. Also, if you're playing a friend and you only play lines that he finds boring just so you can get some kind of a psychological advantage, that is pretty damn dumb. Play for a real advantage on the board. Its not like any level of chess player that is any good is going to let the 'London' or other non-ambitious opening psyche them out. They don't loathe the opening because they lose. If people lost they might light it more because its exciting. When I see it, I think, wow this guy should've just let me play white if he wants to play black. Then I either win or draw.

The Tal Gambit while not a complete refutation of 2.f4?! gives white a hard time due to white's horrible d4 square.  Better to play a preliminary 2.Nc3 first. 

I annotated a Kasparov simulation game where he demonstrates to great effect the merits of 2...d5! in the Grand Prix:



TheGreatOogieBoogie
pfren wrote:

Still, the example in #61 does not teach us why 3.f6 is not stronger than 3.Rc4.

Factly, both win easily, but f6 mates a bit faster.

Huh, he's right.  The entire game can be found here:



Evilution
MISTERGQ wrote:

Whenever I play against someone who plays d4, then doesn't play c4, it makes me want to shoot myself.

2. nf3 

2. bc4 or bf4

2. nc3

All crap. It leads to 20 moves of shuffling pieces around aimlessly until someone makes a tactical blunder or misses a pawn push (usually the other person). Its not a slow positional strangling, its a slow game period. Most of them don't even lead to cool endgames.

Anyone else feel this way?

Yes... I got tired of these d4 openings and started playing the passive, boring Old Indian so that i could contest the e5 square.  Not a great way to go, but seems to work for me so far.  Those "wet blanket" d4 openings you speak of do contain some venom, so a bit of respect may be in order!

I played a game with 1. e4  d5-- I have white-- and played 2. d4 just to try and throw my opponent off his game... again, not a great choice, but the resulting positions can get weird!

Ever notice no matter what variations you play, there will ALWAYS be someone around that will tell you how bad your choices are?   Never fails-- but if Carlsen or Nakamura play unorthodox openings, THEN it's genius!Smile

rtr1129

achja wrote:

Your examples look interesting, but getting the London bishop doesn't have to be done with the Nf6-h5 idea. You can also play Bf8-d6 to trade.


Yes, again you can capture the bishop with Bd6, but capturing the bishop is only a means to an end. With the Bd6 trade, black has weak dark squares and white is rid of the bad bishop. Even hxg3 is not so bad as long as white doesn't commit to castle kingside too early. If white is inflexible, then of course black can throw a wrench in the gears. But that's true of any opening.

Saint_Anne

There are many ways to play chess.  If a player is bored, irritated, or frustrated, they generally don't play as well.  Sometimes I play the Colle or the London because players hate to play against them.  As Black, I see the situation as a challenge.  Our opponents will not always let us have the type of position we want.  Criticizing their play does not accomplish the goal of winning the game.  It broadcasts to our opponents our preferences.

zborg

All good points.  You do, however, need some dental work.

viraatdas

touché dude. makes the game so boring. 

DrSpudnik

If white acts like a passive dingbat, take the initiative!

DrSpudnik

Black players hate the London System for the same reason White players hate the French. They're too lazy to look up and study a good line against it, so instead of lamenting their own bad attitude, they curse the opening line they can't figure out and that ruins all their fun.