I am actually in the process of writing an article on 1.b3 for a magazine. There are a lot of problems for White with 1.b3 e5 if Black knows what he is doing.
I would suggest the following for White if you want something more sound with similarities to 1.f4.
1.e4 -
1...c5 - Closed Sicilian, Spassky Variation - 2.Nc3 Nc6 3.g3 g6 4.Bg2 Bg7 5.d3 d6 6.f4
1...e5 - Vienna Game, 2.Nc3 Nf6 3.f4 d5 or 2...Nc6 3.f4 exf4
1...e6 - The main lines with Nc3 - 2.d4 d5 3.Nc3 and almost every line features an attack on the kingside. Steinitz (3...Nf6 4.e5 Nfd7 is immediately followed by 5.f4), Winawer (h4 is more common than f4 here, but 4.e5 c5 5.a3 Bxc3 6.bxc3 Ne7 and now 7.h4 is a very aggressive line and a little less well known at the Amateur level than 7 Qg4), and there is no Classical or McCutchen to worry about if you play the Steinitz.
1...c6 - While not an early f4, the fantasy variation has the aggressive kingside attack nature of 1.f4.
Hi,
I've played the Bird for a long time now, but am looking to change to a more solid/respected opening against the more serious opponents.
I'd like to know if any of you knows what sort of openings share some similarities with 1.f4, in terms of middle game ideas, piece placement or other main patterns?
I've found Larsen's Opening 1.b3 or the Reverse Dutch Stonewall as two promising lines, but 1.b3 requires quite a bit of preparation against the endless lines black has, and reverse dutch seems just as shaky as the bird albeit for different reasons.