I know this for a fact, grandmaster play to win always, if they do take a risk and seek some form of creativity, it is always aim to win a game not to lose one. GM Tal might sacrifice not knowing it was sound but it was aim in winning and knowing that was too complicate for his opponent to calculate the best defense.
In a sport or a competitive game, the objective is clearly specified. It is to win within the rules. And the aim of chess is very clearly specified: to win on the board. Chess ain't synchronised swimming: there are no points for artistic impression.
Okay okay. I just got in from the other side. I was visiting friends....and it was a lotta fun ! Anywayz, I wanna thank Stavros & Gouryella for defending me....and I'll hold back my opinion of those dissing me out and calling me something I'm not. That's bad news....and you know who you are !
Let's get back on topic, shall we ?
I have something to say.
I highly value chess compositions 'cuz it showcases creative talent. Saying that, we all know FIDE has the PCCC (Permament Commission for Chess Compositions) which gives out things like International GM titles for those with an impressive portfolio of creative compositions....which I feel is totally cool....
....
Alotta people don't know this, but FIDE recognizes (10) established Schools of Composition. One school is the Bohemian School, w/ their main focus being Artistic Beauty. Another is the Progressive Bohemian School, which is basically a hybrid of the New German School & the conventional Bohemian School. Don't ask me to define them all....you can ez'ly look it up - if you're interested.
I would be happy to extend BF more creative credit if he had made some compositions. He didn't that I know of, and that's just another reason why I question his creativity over the chessboard.
I'm gonna go exercise. I'll check back in later.