Questions About Silman's Imbalances

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rjbue

I bought "How To Reassess Your Chess" and loved it! But I have a few questions about Silman's imbalances.

1.) How do I "master" the imbalances? I've read the book and I understand what they are, but how do I master them?
2.) How do I implement them? Do I just ask, "OK, what are the imbalances?"
3.) I feel like I am just not grasping the concept of imbalances. I feel like i can't use them properly.

Can anyone help?

rjbue

Anyone? This has been a huge thorn in my side for a while

Gomer_Pyle

Balanced positions are drawish in nature. Imbalances can be strengths or weaknesses depending on the position. The trick is to create an imbalance that is to your advantage. If you've read the book you know an imbalance may be a pawn majority on one side, a backward pawn, difference in pieces, etc. I haven't looked at that book in a long time so I may mention things in one of his other books.

Yes, recognizing the imbalances is a big first step. Silman describes how to recognize them and ways to take advantage of them. Mastering them (does anybody really "master" a chess technique?) may take years of practice. Much of it depends on what your strengths and weaknesses are. If you like closed games you might want to give up a bishop for a knight and close the position. If you prefer bishops you probably want to trade knight for bishop and open the position. Pawn majorities on one side or the other should often be pushed. It just takes practice, and practice, and practice. You'll get better at it.

BroiledRat
You implement them by going “ok, what are the imbalances” an enormous number of times until you see them instinctively in a game.

You master them the way you master anything else in chess.

Repetition.

It’s the same way you master openings, endgames, and tactics.

To put it simply, imbalances are differences between your position and that of your opponent.

The concept stresses piece activity and the importance of pawn structure.

A bishop on one of the long diagonals is a heck of a lot better than a bishop blocked off by a pawn chain, therefore it is a “superior minor piece”

Another common example would be a knight on the edge of the board vs an outposted knight on the sixth rank, obviously you can tell which is the superior piece. :)


A pawn majority on the Queenside is another example of an imbalance.

If you have a “healthy” Queenside pawn majority and your opponent had an “unhealthy” majority on the Kingside where their pawn structure was screwed up by a couple of doubled pawns, that will generally be a favorable imbalance for you.

In conclusion, imbalances are differences in the position that one has to look for, some favorable, some unfavorable, and some not so clearly favorable or unfavorable.

Some have said studying endgames has helped them in

Keep at it, and I’m sure you’ll get the hang of it. :)

rjbue

Thanks!

LordBolney
I’m reading Silman’s book and find the concepts easy enough but then you realise how little you really understand when struggling through the exercises! Maybe you could have another look at those and see where your gaps are?
rjbue

Maybe... I'll check them out.

king5minblitz119147

i have read the book, if only lightly. what i find rather unappealing about it is that for most positions i play there's usually already a typical plan demonstrated by someone else who played that position in a model game, and so for most typical positions i don't need to go over all the imbalances. it will be extremely useful if you play rather unusual positions though, if you can get them often enough. but for standard ones i don't see it being useful.

MyNameIsNotBuddy

For example, if there is a square that your knight would terrorize your opponents position on, but it's not there, then you should find a way to get it there! (He emphasizes this a lot)